10 Most Rewatchable Jodie Foster Movies, Ranked
In a adorned profession that has spanned over 50 years, this can be a collection of ten movies that you may by no means get uninterested in. Some of the movies on this record are additionally her finest, however others have that lasting high quality that, just like the acclaimed actress, age very properly. This record additionally has a few of her most well-known roles mixed with some performances which have flown below the radar. Foster’s filmography is as in depth as it’s spectacular, and nearly all of her films are value a second or third or fourth look (you get the image, proper?). However, these are the ten that, if you happen to scroll by them, it’s a good suggestion to seize a bucket of popcorn and let the proficient actress entertain for a couple of hours.
There is not any scarcity of genres to select from as she has dipped her toe in every part starting from visceral revenge thrillers to sillier roles when she was a younger performer. To be clear, this is not the definitive rating of Jodie Foster‘s finest films (you could find that right here); these are essentially the most rewatchable films in her ouevre, ranked.
10 ‘Hotel Artemis’ (2018)
Directed by Drew Pearce
In 2028, the world has gone to hell in a hand basket, and the one refuge for a choose group of expert mercenaries is the Hotel Artemis. Foster is Jean Thomas however is known as “The Nurse” within the neo-noir, post-apocalyptic thriller directed by Drew Pearce. It’s a dog-eat-dog setting, and The Nurse has no downside holding her personal with unstable killers performed by a terrific ensemble of Charlie Day, Sterling Okay. Brown, Dave Bautista, and the inimitable Jeff Goldblum. Foster runs the Hotel Artemis with an iron fist, however her solely weak spot is uncovered when she is pressured to go exterior the constructing. She has excessive agoraphobia, and it proves to be her greatest impediment in a movie filled with miscreants, mafiosos, and mentally unstable lodge friends.
Foster has confirmed time and time once more that she will greater than maintain her personal with the much less fascinating characters she performs reverse. If you’ll be able to go toe-to-toe with Hannibal Lecter and dwell to speak about it, then your bona fides are strong gold for all times. Her most up-to-date function in Season 4 of HBO’s anthology True Detective exhibits that she nonetheless has the power to play a dynamic and highly effective badass who will pull a gun on you with lethal intent. In Hotel Artemis, she is not afraid to point out some vulnerability both.
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9 ‘Panic Room’ (2002)
Directed by David Fincher
Foster is nothing if not a loyal mom in Panic Room. When ne’er do properly intruders, Jared Leto and Forrest Whitaker, see match to do some breaking and coming into into her new home, the mama bear in Foster kicks in. She performs Meg Altman able to die to guard her daughter Sarah (a younger Kristen Stewart). Fortunately, they will retreat to a secluded panic-safe room whereas the robbers strive to determine how they may make off with the dough.
David Fincher is a grasp at ratcheting up the stress over a two-hour cinematic expertise. Each time you watch Panic Room, there’s a completely different efficiency you’ll be able to give attention to from the robust ensemble forged. Stewart, Leto, and Whitaker all deliver their A recreation on prime of the strong basis supplied by Foster in one of the vital underrated movies of the last decade. Foster and director David Fincher are one of the vital formidable one-two punches within the business and Panic Room is proof of that.
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8 ‘Flightplan’ (2005)
Directed by Robert Schwentke
Flightplan is a little bit bit like Panic Room, solely at 35,000 ft up within the air. There is nowhere to go however straight by means of the unhealthy guys. Flying aboard an enormous DC-10, she is Kyle, a rocket scientist and up to date widow who accompanies her younger daughter Julia (Marlene Lawston) again house together with the physique of her not too long ago deceased husband. When the devilishly good Peter Sarsgaard highjacks the aircraft within the function of Gene Carson, all bets are off as Kyle has to keep in mind the security of her daughter, the harmless passengers, and the glory of her husband’s physique. It’s the sort of weight that solely an actress like Foster can shoulder in a movie, and he or she makes essentially the most of it.
The uneasy chemistry between Foster and Sarsgaard makes Flightplan a movie that you may watch a number of instances. Some of essentially the most fascinating but disturbing relationships in movie are when one character is slowly and subtly gaslighting one other. The misinformation and baloney that Gene and different crew members feed Kyle are nearly sufficient to interrupt her. But that is Jodie Foster we’re speaking about right here. She has made a profession out of overcoming all odds.
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7 ‘The Brave One’ (2007)
Directed by Neil Jordan
The Brave One is Jodie Foster’s Kill Bill. It’s a revenge thriller in its purest kind, and he or she is taking no prisoners after her fiancé (Naveen Andrews) is killed by a bunch of petty criminals throughout a stroll by means of a New York City park. One by one, Foster (Erica Bain) takes these scumbags out whereas sustaining a facade of being a radio speak present host. Terrence Howard is the cop that’s attempting to place the items collectively and tighten the screws on Erica as she continues killing.
It appears nearly easy for Foster to determine nice chemistry with whoever she is sharing the display with. She and Howard have a splendidly mental recreation of chess happening whereas he continues to slender down his suspect record. But when it comes time to call a perpetrator, will he have the guts to throw the cuffs on a lady who has simply witnessed her lover violently assaulted and killed? That is the cherry on prime of an exciting cat and mouse physiological a part of a revenge thriller.
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6 ‘Taxi Driver’ (1976)
Directed by Martin Scorsese
In Martin Scorsese‘s early masterpiece (winner of the Palme d’Or at Cannes, and repeatedly ranked among the many finest psychological thrillers ever made), Jodie Foster performed the attention-grabbing function of an underage intercourse employee who earns the sympathy of disturbed Travis Bickle (Robert De Niro), a cab driver who turns into a vigilante.
Despite basic approval for the performances, the course, Bernard Hermann‘s haunting rating and Paul Schrader‘s nice script, Taxi Driver has by no means been with out its share of controversy. Even by right now’s requirements, this can be a very violent movie (evidently, much more unsettling and stunning in 1976), and although the content material is difficult to abdomen at instances, cinephiles and informal movie followers alike watch Taxi Driver again and again, for good cause.
5 ‘The Silence of the Lambs’ (1991)
Directed by Jonathan Demme
Why is that this traditional movie on the record? Why is not it primary? Two wonderful questions might be answered by reminding ourselves that this can be a record of essentially the most rewatchable Jodie Foster films. Is her tackle intrepid FBI Agent Clarice Starling her finest efficiency? She did win an Oscar for Best Actress as a novice agent in a seemingly out-of-her-element battle of wits with the diabolical Hannibal Lecter (Anthony Hopkins). But regardless that the lambs are nonetheless screaming, Foster delivers a knockout efficiency that ushered her into full-on main girl standing.
Foster had already gained an Academy Award for the disturbing movie The Accused, however she is so dynamic on this Oscar-winning film that it’s essential to watch it at the least yearly. The solely cause it is not increased is because of the graphic nature of Lecter and Buffalo Bill/Jame Gumb’s (Ted Levine) horrific portrayals as loopy as hell serial killers.
The Silence of the Lambs
A younger F.B.I. cadet should obtain the assistance of an incarcerated and manipulative cannibal killer to assist catch one other serial killer, a madman who skins his victims.
- Release Date
- February 14, 1991
- Runtime
- 118 minutes
- Writers
- Ted Tally
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4 ‘Freaky Friday’ (1976)
Directed by Gary Nelson
Lindsay Lohan was on the peak of her Hollywood powers when she teamed up with the at all times sensible Jamie Lee Curtis for the remake (2003) of the traditional switcheroo story Freaky Friday . But Jodie Foster was making the function unforgettable nearly thirty years earlier(1976). Released in January of 77, the versatile performer was doing an about-face coming off of her Oscar-nominated efficiency for a Supporting Actress as Iris Steensma in Martin Scorsese’s Taxi Driver, a teenage intercourse employee who conjures up Travis Bickle (Robert De Niro) to free her from the intercourse commerce.
She’s a nightmare of a youngster in Freaky Friday. Barbara Harris performs her overworked mom, demanding extra from her sloppy and disinterested daughter, Annabel Andrews. When she mysteriously exchanges our bodies and minds together with her mom, Foster exhibits as soon as once more, very early in her profession, that she is a dynamic participant who may make magic on the large display.
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3 Nell’ (1994)
Directed by Michael Apted
In the function of Nell Kellty taking part in the titular function, it’s a daring and daring departure that exhibits simply how proficient she is. As a younger girl who’s raised by her mom alone in a distant Spartan North Carolina cabin, Foster completely shines. When her mom dies, she is taken below the wing of a fascinated physician (Liam Neeson) and a psychologist (Natasha Richardson) whereas they slowly enterprise to get nearer to Nell and introduce her to a civilized society.
How many actresses can really create their very own primal language in a film and make it as thought-provoking and entertaining as Jodie Foster? That’s a rhetorical query, however the reply additionally occurs to be not many. We have seen tales of untamed kids “raised by wolves” earlier than, however Foster’s unparalleled tackle this younger girl is a contemporary and genuine character.
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Directed by Robert Zemeckis
This is, undoubtedly, Foster’s most underrated and underappreciated efficiency. Based on Carl Sagan‘s pivotal and imaginative novel, Contact is an enchanting mix of science fiction and interpersonal drama. As Dr. Ellie Arroway, the sensible actress brings an unbelievable quantity of vitality and awe-inspiring marvel to a task that is determined by a powerful lead. Working in a area dominated by male scientists, Foster shines vibrant as Arroway, a headstrong astronomer who refuses to take a backseat to older colleagues like David Drumlin (Tom Skerritt) or love curiosity and mental foil Palmer Joss (Matthew McConaughey).
Contact will be the most heliocentric Jodie Foster film ever, as she is entrance and heart in nearly each scene and has such a powerful presence that it looks like each resolution is made with Ellie Arroway’s pursuits in thoughts. This film is rewatchable on so many ranges, not the least of which is Foster’s refreshing gravitas.
Contact (1997)
- Release Date
- July 11, 1997
- Runtime
- 150 minutes
- Main Genre
- Sci-Fi
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1 ‘Foxes’ (1980)
Directed by Adrian Lyne
Foxes is a film you’ll be able to get pleasure from on a Saturday evening or a random weekday morning. Jodie Foster performs Jeanie in director Adrian Lyne and his coming-of-age romp of a characteristic movie debut about youngsters doing what youngsters do – discovering out about life and themselves. Set within the San Fernando Valley within the late 70s, some heavier, poignant moments within the movie cope with the very actual points that younger girls face day by day. Scott Baio, Sally Kellerman, and Randy Quaid spherical out a proficient forged of comedic gamers who will also be severe. Look intently for a younger Laura Dern within the function of Debbie as properly.
Jeanie shoulders the duty of caring for her disillusioned and disenfranchised girlfriends Madge (Marilyn Kagan), who’s a wannabe disco queen who can not seem to discover happiness, and Annie (Cherrie Currie), who’s coping with physique points due to her heavy set physique on prime of being a runaway who drinks and does medicine to bury the truth that her cop father is verbally and bodily abusive. Foster had already been in so many weighty tales with adults that it’s refreshing seeing her have common teenage issues like a flaky, divorced mom and an absentee father who’s a band supervisor.
Foxes
- Release Date
- February 29, 1980
- Runtime
- 106
- Main Genre
- Coming-of-Age
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