A string of violent robberies in the Pacific Northwest leads a veteran FBI agent right into a home terrorist plot to overthrow the federal authorities.

Vertical Entertainment has simply despatched over the trailer to their official Venice and TIFF choice — the tense thriller The Order. Justin Kurzel (Macbeth, The History of the Kelly Gang, Assassin’s Creed) is in the director’s chair. Based on Kevin Flynn and Gary Gerhardt’s novel The Silent Brotherhood, The Order stars Jude Law (Closer, The Grand Budapest Hotel, Sky Captain and the World of Tomorrow), Nicholas Hoult (Superman, Renfield, Mad Max: Fury Road), and Tye Sheridan (Ready Player One, X-Men: Apocalypse, Mud).

The official synopsis reads,
“For over a yr, a collection of daring daylight financial institution robberies and armored automobile heists leaves regulation enforcement baffled and the public panicked all through the Pacific Northwest. As the assaults turn into more and more violent, FBI agent Terry Husk (Jude Law) turns into satisfied that the robberies are the work of a home terrorist gang that plan to make use of the loot to finance an armed rebellion towards the U.S. authorities. 

Based on a real story, The Order follows Husk and his crew into the tangled world of white supremacists to attempt to head off a violent rebellion that might shatter the nation. As the militia builds a warfare chest of over $4 million, Husk pursues the malevolent racist Bob Mathews to a last bloody standoff that can go down in U.S. historical past.”

Law performs “a lone FBI agent stationed in the sleepy, picturesque town of Coeur d’Alene, Idaho, who believes the crimes were not the work of traditional criminals. He thinks the disturbance is the work of domestic terrorists with a charismatic leader (Hoult).” Alison Oliver, Odessa Young, Sebastian Pigott, George Tchortov, Victor Slezak, and Marc Maron additionally star as main forged members.

“I am looking forward to working with Vertical on the release of The Order,” Kurzel informed Deadline. “It was a privilege getting to work with such an extraordinary cast and crew on such a thrilling script by Zach Baylin, a story from the past speaking so directly with the present.”

Our EIC, Chris Bumbray, obtained to view the film at TIFF and glowed about it in his evaluation, “Kurzel made a pretty slick thriller that would play well in theatres. It’s lean and mean enough that, in another era, it would have been a big-budget studio film. Thrillers like this used to be a lot more common, so it’s refreshing to see a throwback like this, which reminds me (in the best ways) of the kinds of studio-made thrillers I loved watching growing up in the nineties.”