Honorable C.N.O.T.E. brings an ethereal really feel behind the boards for “Down Stairs DJ.” Meg’s rhymes are also rapid leaving the beat in the dust playing catch-up. It’s a lot more of a lyrical physical exercise than album standout, which means the p—y appreciate story holds a lot more of a filler part on the project.

Possibly the raunchiest track on the whole album. “Find Out” turns the temperature up a couple of notches with Megan Thee Stallion not becoming shy about her carnal desires and celebrating her voluptuous figure. “How I go from ghosting you to makin’ that dick disappear/I’m tryna f–k around and find out,” she raps. Meg tends to make it sound effortless, but “Find Out” straggles toward the middle of the pack.

Megan taps in with the Japanese rap scene and likely opened herself up to an additional sector of hip-hop fans with her bi-lingual bars on “Mamushi,” which recruits Tokyo’s personal Yuki Chiba (Kohh). The Houston rapper’s Duolingo lessons are paying off as she dishes out a couple of bars herself in Japanese. She’s truly undertaking it all on this album, and “Mamushi” is a prime instance of her versatility and proving no challenge is also significant.

Megan Thee Stallion continued with the serpentine-themed singles with “Boa” serving as the third and final release prior to the album, but the Gwen Stefani-sampling track didn’t measure up to the chart achievement or culture influence of “Hiss” or “Cobra.” Even even though her artistry pulls in her in various inventive directions, Meg’s often going to be about maintaining hip-hop very first. “Doin’ s–t for TikTok b—h, I’m really hip-hop,” she proclaims.

Ominous production sets up Megan to let the chopper sing. She flexes her pen and fans are speculating that the opening verse finds the Houston Hottie snarling at Iggy Azalea, who wrote a letter in assistance of Tory Lanez through the shooting trial. “White b—h on the internet dissin’ Megan/ Black ghostwriter, what the f–k n—-s thinkin,” Meg raps.

Megan loves her anime and “Otaku Hot Girl” seems to be inspired by her trip to Japan and her passion for series like Jujutsu Kaisen. The starry production feels as if it recalls a related sonic to Doja Cat’s “Juicy.” Thee Stallion is truly displaying off her whole repertoire all through Megan, and this is an additional notch on her Gucci belt.

41’s Kyle Richh pops up for an unexpected rap collab on Megan. They mesh contrasting flows improved than it would seem when selecting up the pace surrounding the ’80s Tina Marie “Out On a Limb” sample. Meg throws dirt on her man, but then turns the mirror about and candidly admits she’s no angel either on the connection front. “He lyin’ to me and I’m lyin’ to him/ F–k it, guess we both ain’t s–t,” she admits when defining the “B.O.A.” song title acronym.

Megan does not let up on track No. 2 when addressing the haters. She’s rapping with an additional level of vociferousness and clearly had issues to get off her chest with this project — a pivotal moment in her increasing profession. It’s the boisterous second verse that steals the show right here and had fans buzzing about who specifically was in Meg’s crosshairs.

“Damn, b—h, it been four years/ Worry ’bout your man and your kid/Your life must be borin’ as fuck if you still reminiscin’ ’bout shit that we did/ And I ain’t worried ’bout the bitter b—h link-up/ Y’all ho– earned them seats in the fan club/ Ain’t got no tea on me, this ho think she TMZ,” she spews.

Fans have been split more than who was acquiring sniped at. Some of the Barbz felt Nicki Minaj was below attack when other people believed the bars have been truly shots at her former BFF Kelsey Harris, who was with Meg the evening Tory Lanez shot her in 2020.

Megan saved the grungy “Cobra” for final as the official album closer, but it truly was her very first statements major into her “rebirth” era (released November 2023). The 29-year-old is an open book — raw and unfiltered — when revealing the scars she suffered from losing parents, severed relationships, struggles with substance abuse, her deteriorating mental overall health and a lot more.

Tay Keith and Megan Thee Stallion are absolutely a duo we have to have to hear from a lot more. Sampling Jeezy’s inspirational “I Love It” is the music equivalent of slugging a Red Bull. Meg’s broke a couple of hearts more than the years, and she’s prepared to test the connection waters once more. Unfortunately, the quick kings are not in luck as she prefers her males to be about effectively more than six foot. “F–k the short talk, I like my n—a 6’6″,” she raps. Meg says she’s accomplished with the rappers and is searching into dating an athlete. Since she name-drops the New York Knicks, probably MSG’s newest star Mikal Bridges (6’7″) could suffice?

At this point, no one would oppose the notion of Megan Thee Stallion and her tour mate GloRilla joining forces for an EP or complete-length project with each other. Muddy production requires a backseat as Meg brags about becoming “thicker” than her nation accent. “Accent” likely will not attain the industrial heights of the braggadocios “Wanna Be,” but it is a worthy sequel.

A previously unreleased posthumous verse from the legendary Pimp C steals the show right here. Megan has extended paid tribute to one particular of her rap heroes, so it had to be a bucket list moment acquiring the late UGK icon on a dirty south record. Juicy J helms the crisp production when the Houston generations mesh advertising a message of economic literacy. “Rest in peace to the motherf—-g legend Pimp C/ Often imitated, never duplicated/ Highly-appreciated,” Meg gushes to give Pimp his flowers.

“Moody Girl” is specifically what the title insinuates. Thee Stallion lifts her rapper motif for a appear into Megan Pete, who opens up about the relatable feeling of in no way becoming happy at occasions in life, even when scenarios should really be set up for excellent achievement. With all the turbulence of the final couple of years, it appears Meg’s vulnerably admitting to nonetheless going via the motions of a superstar rapper, but not becoming emotionally offered to indulge in all her superstar life has to offer you.

After hearing what every person had to say all through the Tory Lanez shooting trial, it was Megan’s turn to speak up and she didn’t hold back. The Houston native came out of the gates swinging with the fiery “Hiss” to set the tone for her album and let the rap game know what variety of time she was on. Fans ran with speculation that Thee Stallion took subliminal shots all through “Hiss” at Nicki Minaj, Drake, Tory Lanez and a lot more. Between the potent rhymes and chatter surrounding the track, “Hiss” earned Meg a solo debut atop the Hot 100.

An unlisted guest look from Big K.R.I.T. is often going to play effectively with the rap crowd, specifically these raised on the weblog era. From Texas to Mississippi, there’s a thing in the water major to the droves of thick ladies walking about, and Meg and K.R.I.T. are on the case. Unlike some collabs in hip-hop, “Miami Blue” does not really feel forced at all with each rappers seemingly enjoying taking turns lyrically floating just before passing the baton.

Megan tends to make a sharp proper turn into the land of pop fantasies. Guitar strings make a playground for Meg to take her foot off the gas and attempt out a lot more of her singing voice, as she brings her Texas pride to the table. “Worthy” sounds like a thing Katy Perry would’ve rode to the leading of the charts circa 2010.

Megan produced Victoria Monét really feel proper at residence with the sensual “Spin” constructed about the Grammy-winning singer’s honeyed vocals. Thee Stallion taps into her Tina Snow alter-ego and issues get steamy as the duo leaves guys asking yourself if what they’re searching at on the pole is true or fake. Reminiscent of her flow on 2019’s Ariana Grande-assisted “Monopoly,” Monét’s angelic singing leaves listeners in a trance just before Meg returns for a knockout punch.

This one’s for the strip club. Meg and LilJu reconnect for an additional booty-shaking hit as he slows the pace down with a thumping beat that is reminiscent of a thing that had dance-rap fans and the south in a chokehold all through the 2000s and into the ’10s. Ju took it back to the Vine era when sampling Kansas City native Kstylis’ 2013 regional anthem “Booty Me Down.” When the dust settles on Meg’s third LP, “Where Them Girls At?” could be the song that eventually defines the album. One thing’s for certain, it is assured to be a bop when she hits the stage back on tour.