The Five Greatest Covers of Linkin Park Songs
Here are the 5 biggest covers of Linkin Park songs.
There are few fashionable rock bands with a extra devoted fanbase than Linkin Park. That’s not too stunning, although, provided that 2000’s Hybrid Theory and 2003’s Meteroa – if not later information as nicely – imply a lot to the 30-somethings who grew up with them (along with different audiences, of course). Plus, late frontman Chester Bennington’s voice, lyrics and tragic passing nonetheless resonant with everybody who’s confronted related psychological well being struggles.
Therefore, any artist who reimagines one of Linkin Park’s most beloved songs is sort of inherently placing a goal on themselves, because the mere notion of doing so could possibly be seen as sacrilegious (and followers will likely be very happy to level out each flaw they discover). That stated, there are dozens of spectacular adaptions that reveal a super stability between respecting Linkin Park’s template and including attribute improvements.
READ MORE: Live Linkin Park Videos Appear to Show Backing Vocal Track Being Used
With that in thoughts, and in honor of their extremely anticipated (however finally controversial) comeback, we’re breaking down the 5 biggest covers of Linkin Park songs!
As at all times, we’d like to know what you suppose of our picks, in addition to if there are any that you just suppose needs to be given the highlight, too.
Oh, and whereas we wouldn’t say they’re among the many greatest of the most effective, we have to indicate some love for Peruvian singer Tongo’s superb takes on “Numb” and “In the End.” R.I.P., dude!
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The Five Greatest Covers of Linkin Park Songs
Kevin Winter, Getty Images
Kevin Winter, Getty Images -
Violet Orlandi + Halocene, “One Step Closer”
YouTuber Violet Orlandi has accomplished quite a bit of stellar covers – resembling Megadeth’s “Symphony of Destruction” and Fleetwood Mac’s “The Chain” – and her collaboration with laborious rock troupe Halocene is well on the prime of the listing.
Released in 2020, the music itself stays true to the unique, but Orlandi’s operatic verses and Addie Nicole Amick’s punky refrain make for a really intriguing mixture. Beyond that, guitarist Bradley Amick arguably improves upon Bennington’s screams (“Shut up when I’m talking to you!”) close to the tip. By no means higher than the model on Hybrid Theory, Orlandi and Halocene do it justice whereas additionally making it their very own.
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The Veer Union, “Numb”
The studio minimize of “Numb” (which was the third single from Meteroa) is one of Linkin Park’s most emotionally uncooked tracks, with Bennington’s signature combine of aggression and fragility shining by. It was solely a matter of time, then, earlier than somebody filtered it by the funnel of a poignant acoustic adaptation.
Back in 2018, Canada’s The Veer Union did exactly that as half of their Decade 2: Rock and Acoustic LP. Obviously, it was accomplished in tribute to Bennington, and its mix of wealthy guitar work and delicate ornamentations is enhanced by singer Crispin Earl’s soulful however barely raspy efficiency. Just because it was clear that Bennington felt each phrase of what he sang, so too does Earl embody not solely his personal battle with despair but additionally his heartache on the loss of the legendary vocalist.
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Imminence, “Crawling”
Another observe made to rejoice Bennington’s legacy, Swedish ensemble Imminence crafted an equally resourceful and shifting redux of this Hybrid Theory traditional that concurrently pushed them exterior of their metalcore consolation zone. In reality, it comes from 2020’s Turn the Light On: Acoustic Reimagination, a half-hour set comprised of – you guessed it – acoustic options to a number of choices from 2019’s Turn the Light On.
Its slower tempo, serene harmonies, rustic fingerpicking, forlorn strings and mournful piano chords culminate in an imaginatively devoted but contemporary and poignant revision that accentuates the relatable heartache on the coronary heart of their inspiration. Naturally, the music video garnered lots of YouTube commenters commending Imminence for his or her outstanding effort.
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Periphery, “Shadow of the Day”
In a simplistic sense, progressive metallic quintet Periphery have at all times sounded just like the musical offspring of TesseracT and Linkin Park. So, having frontman Spencer Sotelo, drummer Matt Halpern and famed producer Taylor Larson put their spin on “Shadow of the Day” (from 2007’s Minutes to Midnight) was a no brainer.
It got here out in July 2017, and unsurprisingly, it homes extra subtle and quirky digital percussion alongside extra symphonic touches. Of course, Sotelo does a wonderful job of evoking the spirit of the unique amidst the inclusion of layered harmonies as nicely, permitting it to stay genuine whereas coming throughout as one thing that would cross as a very new Periphery creation.
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Moment of Madness, “In the End”
“In the End” would possibly’ve featured probably the most iconic vocal team-up between Bennington and multi-instrumentalist/rapper Mike Shinoda on all of Hybrid Theory. Consequently, Moment of Madness (one other Swedish metalcore outfit, coincidentally sufficient) had fairly the duty in making an attempt to recapture that magic by their extra chaotic and sophisticated lens. Luckily, they succeeded with flying colours, delivering a considerably fiercer and extra epic interpretation fueled by Andrea Leandro Perin’s guttural verses, guitarist Ivo Gaeumann’s hovering choruses and drummer Stefan Wittwer’s thunderous percussion.
If that weren’t sufficient, Gaeumann’s duet with Annalea Gysin through the bridge (“I’ve put my trust in you / Pushed as far as I can go”) is a superb contact, as is the expanded jamming afterward.
This is what a Linkin Park cowl needs to be!
