The intriguing band name Seven Hours After Violet is not just an acronym for Shavo Odadjian; it embodies a deeper narrative that unfolds as fans dive into the music and the accompanying lore. The bassist of System of a Down recently engaged in a conversation with Full Metal Jackie on her weekend radio show, offering a glimpse into the multifaceted story behind the band and its unique name, which promises to reveal more layers over time.

During the interview, Odadjian discussed the development of their new album along with an exciting comic book that extends the band’s narrative universe. “As you delve into the comic, you’ll discover the intricacies I weave into the music,” Odadjian explains. “The character of Violet—whether a color, a person, an event, or even something more abstract—holds a myriad of interpretations. Violet encapsulates a fascinating definition of concepts swirling in my mind.”

He emphasizes, “Once you grasp one interpretation, your curiosity will drive you to explore the remaining seven.” This statement hints at the depth and complexity fans can expect from the band’s artistic journey. Furthermore, Odadjian elaborated on the serendipitous coincidences that led to the formation of his new band, his decision to embrace a heavier sound, and his motivation for launching a label imprint to elevate the band’s presence.

Additionally, he offered insights into his various projects and what lies ahead on his agenda. Exciting developments are on the horizon, so don’t miss out on the conversation below.

Join us on Full Metal Jackie’s show this week as we welcome Shavo Odadjian. While many recognize you from System of a Down, soon, Seven Hours After Violet will become a household name. Can you share how this project came to life so organically?

It all began with a spark. My lucky number has always been 22, a theme I’ve incorporated into my life and career. For instance, I founded a lifestyle cannabis brand called 22Red that resonates with this number. Interestingly, my sons are exactly 2 years and 22 days apart. It’s a cosmic coincidence, right? On February 22, 2022, I hosted a small gathering in Hollywood to celebrate this number.

During a KROQ interview with Kevan Kenney, I invited him to this gathering at a hookah lounge to celebrate our numeral fascination. He asked if he could bring a friend, and that friend turned out to be Morgoth Beatz (real name: Michael Montoya), an incredibly talented producer. We hit it off, exchanged contact information, and he suggested we collaborate on some music. I felt an intense urge to create, so we set up a session.

A couple of weeks later, I visited his studio, where we transformed raw riffs into a full song. It was surprisingly effortless, and the result was heavy and compelling. After a decade of exploring side projects without truly embracing the heavier sound that defines my roots, I decided to fully embrace my passion for metal music. I’m a metalhead at heart, and collaborating with Morgoth reignited that fire in me.

After a productive writing session, we created another track that kept the momentum going. Morgoth commented on the vibe we were producing, which completely resonated with my essence as an artist. Given my extensive experience writing for System, it felt natural to create our own record together. Morgoth proposed making a solo record, and it made perfect sense to take this collaborative effort to the next level. So, we took the leap and began crafting music in my private studio.

New Horizons: Seven Hours After Violet’s “Paradise”

Shavo, at what point did you realize you had a clear vision for your band?

About a year in, we had already written 18 songs, give or take a few months. The process was organic; we weren’t bound by schedules or deadlines. It was all about the joy of creation, and the sound that emerged was something I genuinely wanted to listen to. We let our creativity flourish without conforming to trends or expectations. It’s about producing music that resonates with us.

As we completed our music, there was an initial thought to invite various artists for collaborations—almost like the DJ Khaled of metal. I envisioned featuring vocals from Serj Tankian and other talented friends. However, the exceptional quality of our music led me to realize I wanted to form a band and take our work on tour. Touring with a revolving cast of guest artists wouldn’t capture the essence of what we were building.

Morgoth and I brainstormed potential band members, and during auditions, we discovered Taylor Barber from Left to Suffer. His vocal range astounded me; he could shift from deathcore growls to beautiful falsettos. I knew he was the perfect fit for our sound. Then, while searching for a lead guitarist, Morgoth recommended Alejandro Aranda, the runner-up from American Idol in 2019. Initially, I was skeptical, but when he came in, I was blown away by his talent. The synergy between their voices was undeniable, creating an ideal blend.

This all unfolded so organically, like pieces falling into place. I didn’t want this to be merely a side project; I wanted a solid band dynamic where we could create and perform together, similar to how System operates. However, our approach would differ, as we would have more freedom to explore creative avenues. I didn’t want to be successful only to stop pursuing my passion.

EXPLORE MORE: Shavo Odadjian Explores His Passion for Music with Seven Hours After Violet

Creating music is my lifeblood. I thrive on composing, releasing, and performing. I’m excited about this journey and look forward to being on stage soon.

Shavo, the rollout strategy for your band has been impressive. The track “Paradise” captures that chaotic energy reminiscent of your work with System of a Down, while “Radiance” showcases a more melodic side. Now, with “Alive,” Alejandro complements Taylor’s aggression perfectly. This versatility is remarkable. How satisfied are you with this lineup, and do you feel it reflects your musical identity?

Absolutely. When each member contributed their unique pieces, I felt an instant connection, akin to meeting your soulmate. That’s how this band came together, and that’s why I chose to brand it as a band rather than just my name.

Many suggested naming it after me, but I wanted something that felt collective. So, we created Seven Hours After Violet, which took on a life of its own, evolving into a brand that extends beyond music. We even started crafting comic books akin to Black Mirror, where each issue explores a different facet of Violet and the story behind the name. This multifaceted approach enhances the depth of our creative vision.

Every band member embodies the essence of our music. Having developed the music independently before incorporating vocals, I was unsure of what to expect. The results have been a wonderful surprise, exceeding my expectations.

Experience the Sound of Seven Hours After Violet with “Alive”

It’s Full Metal Jackie here with Shavo Odadjian. We’ve learned that Seven Hours After Violet is an acronym for your name. While you keep the meaning open for interpretation, can you share if the band name connects to the music on your new self-titled album? This unique name and album title—what should listeners look for that might deepen their understanding?

Our album takes listeners on a thrilling roller coaster ride. The journey is evident in the sequence of tracks, as it unfolds like a cohesive story rather than just a collection of songs. You can enjoy each track individually, but the real magic happens when you listen to the album from start to finish, as each song transitions seamlessly into the next.

While the name itself doesn’t directly reference the music, it complements the overall experience. As you explore the comic book, you’ll uncover subtle elements that resonate within the music. The character of Violet is a fascinating concept, open to interpretation—whether as a color, a person, an event, or something entirely different. It’s a rich tapestry of meanings that reflect the complex ideas I’ve been contemplating.

Once you grasp one angle of Violet, your curiosity will undoubtedly lead you to seek out the other seven interpretations.

Shavo, you’ve also taken on the role of the new label head at 1336 Records. Why was it essential for you to be involved in the label aspect while launching your new band and album? Are you planning to scout other artists during this phase?

Absolutely. Initially, I aimed to manage this project independently, but I realized that having a label would provide the major distribution I desired. Partnering with Sumerian Records, which is associated with Virgin, opened up a global reach for us. Meeting Ash, the CEO and founder, was enlightening; he truly understood our record, recognizing its potential.

While 1336 Records began as an independent venture, I decided to sign the band under my label. With 30 years in the industry, I understand what that entails. This ownership grants me creative control over our releases, marketing strategies, and overall direction. We consider Sumerian a supportive partner, providing resources when needed.

Moreover, I realized there are countless talented bands out there that I could assist. I’ll actively seek out promising acts without strict criteria—just a passion for creating exceptional music and art. I’m currently observing a few bands that I believe deserve a platform to flourish, free from financial concerns.

While there are no set obligations, having this capability is valuable. My extensive experience in the industry equips me to navigate these opportunities effectively.

Shavo, speaking of other projects…

Which project are you referring to?

I’m unsure. Given that System of a Down has had limited creative output lately, has this shift allowed you to appreciate the ongoing love and support from fans more deeply during these individual moments?

Definitely. I’m genuinely amazed by the support we receive. Our demand is high, and supply is limited. We remain authentic to our essence, and it takes all four of us to create what we do. I cherish any opportunity to engage with fans, whether it’s two shows or a full tour.

My ideal scenario would involve a new record every two years, followed by a world tour, allowing us to pursue our individual projects in between. We all respect one another, and our side endeavors complement our collective efforts.

However, I’m grateful for the time we’ve had. I’d love to do more, but I’ll embrace whatever opportunities arise, whether that’s two shows or ten. Every moment with my bandmates is a treasure.

Shavo, since you’re always creatively engaged, do you have projects on your to-do list? Could we see new music from Achozen or North Kingsley? Are there film scoring opportunities you’re considering?

We never officially released any material for Achozen, but some tracks have surfaced on YouTube. I’m contemplating reviving that project, especially after reconnecting with RZA during a recent Wu-Tang Clan residency in Las Vegas. Our original work is unique and has aged remarkably well, blending heavy hip-hop soundscapes.

As for North Kingsley, before embarking on Seven Hours, we recorded an entire album. The initial sound leaned towards trap, but I felt it needed more heft. I shifted the direction, incorporating heavier guitars and intense vocals. I was fortunate to enlist John Dolmayan, the drummer from System, to contribute his incredible drumming skills, transforming the project into something substantial.

As I was mixing this album, the opportunity for Seven Hours arose, so I put the project on hold. Once things settle down with this new band, I plan to release that album. While I may not tour it extensively, I believe it’s intriguing music worth sharing, blending multiple genres.

Also, I enjoy film scoring, but my current focus is on Seven Hours After Violet. It’s crucial to dedicate my energy to this endeavor without spreading myself too thin. Once we establish our footing, I’ll explore other creative avenues.

Thanks to Shavo Odadjian for the insightful interview. Be sure to check out the new self-titled album and stay connected with Seven Hours After Violet through their social media platforms on Facebook, Instagram, and Spotify. For more on Full Metal Jackie’s weekend radio show, click here.