In a surprising twist, John Waters has included Joker: Folie à Deux in his prestigious annual Top 10 list, passionately advocating for the film against its detractors. He stands firmly against the so-called “dumbbells” who fail to appreciate its artistic merit.

John Waters’ annual compilation of his favorite films is always a fascinating mix, showcasing an array of unconventional movies that often exist on the fringes of mainstream cinema. This year’s list is particularly captivating, featuring titles that many may not have encountered. Waters consistently champions underappreciated films, highlighting their unique perspectives and creative storytelling. This year’s inclusion of Joker: Folie à Deux stands out not only for its controversial reception but also for the discussions it has sparked within the film community.

Securing the #6 position on his Top 10 movies of 2024 for Vulture, John Waters has boldly selected Todd Phillips’ Joker: Folie à Deux, a film that has faced significant backlash from critics and audiences alike. Despite the overwhelming hype that preceded its release, it ultimately underperformed. In his commentary, Waters passionately explained what resonated with him: “Finally, a love story I can relate to. So insane, so well thought out, so well directed, so much smoking! It’s Jailhouse Rock meets Busby Berkeley with a 9/11 That’s Entertainment! ending that will make you shake your head in cinematic astonishment. Stupid critics. Gaga so good. Joker so right. Die, dumbbells, die!” His words capture the film’s eccentric charm and the emotional depth that he believes many critics have overlooked.

While the fanbase for Joker: Folie à Deux may be limited, John Waters’ endorsement places him in the esteemed company of Quentin Tarantino, who has also praised the film, declaring Joaquin Phoenix’s performance as one of the best he has ever witnessed. This juxtaposition raises questions about critical reception and audience interpretation. Tarantino’s enthusiastic support suggests that there are layers to the film that may appeal to those willing to engage with its complex narrative. It’s interesting to note how different filmmakers perceive the same work, further emphasizing the subjective nature of film criticism.

In addition to Joker: Folie à Deux, John Waters’ Top 10 list features a diverse lineup, including Rose Glass’ gripping Love Lies Bleeding at #1, Luda Guadagnino’s thought-provoking Queer at #2, and Brady Corbet’s compelling The Brutalist at #3. Other noteworthy mentions include Mike Leigh’s Hard Truth at #4, Alexi Wasser’s Messy at #5, and Sam H. Freeman and Ng Choon Ping’s Femme at #7. The list continues with Jacques Audiard’s Emilia Pérez at #8, Halina Reijn’s Babygirl at #9, and Truong Minh Quy’s Viet and Nam rounding out the selections. Notably, John Waters previously included Joker in his 2019 list, showcasing his ongoing admiration for Joaquin Phoenix’s transformative performances.

For those who decided to bypass the theatrical release of Joker: Folie à Deux—a choice made by a significant number of viewers, as evidenced by its disappointing box office returns—it will be available for streaming on Max starting December 13th. This presents an excellent opportunity for fans and newcomers alike to explore the film at their convenience and engage in the discussions surrounding its unique narrative and artistic vision.