This Is Spinal Tap director and co-writer Rob Reiner has recently unveiled exciting details regarding the much-anticipated sequel, set to hit theaters in 2025. Fans of the iconic mockumentary can look forward to a fresh storyline that revisits beloved characters and introduces new elements. This sequel aims to bring back the humor and charm that made the original a cult classic while incorporating modern twists and notable celebrity appearances.

Reiner shared intriguing plot details in a recent interview with Empire. The sequel will kick off with a captivating exploration of what singer David St. Hubbins, guitarist Nigel Tufnel, and bassist Derek Smalls have been up to since Spinal Tap disbanded. This creative approach promises to provide fans with a deeper understanding of these characters’ journeys and evolution over the years.

“Nigel has found a unique niche by running a cheese and guitar shop in Berwick-upon-Tweed,” Reiner elaborated. “His passion for music continues as he performs with a local folk band in the village, showcasing his talents on instruments like the penny whistle and mandolin, while also playing electric guitar. We even include a delightful clip of his performances, highlighting the unexpected paths these characters have taken.”

“Meanwhile, David St. Hubbins has relocated to the picturesque Morro Bay in California, where he’s been channeling his creativity into writing music for various podcasts. Notably, he’s composed music for a true-crime podcast titled ‘The Trouble With Murder.’ Additionally, he’s the mastermind behind the catchy tunes you hear while on hold during phone calls, demonstrating his adaptability in the evolving music landscape,” Reiner continued.

“Derek, on the other hand, has made quite a name for himself in London as the curator of the New Museum of Glue. His impressive collection boasts glue from every corner of the globe, chronicling the fascinating history of this often-overlooked substance. In an intriguing twist, he’s also performing with a philharmonic orchestra, having composed a symphony that humorously tackles the theme of a bad hairpiece worn by the devil, titled Hell Toupée.”

Reiner revealed that the inspiration for this sequel was sparked by the passing of Tony Hendra, who portrayed the band’s manager Ian Faith in the original film. “The concept evolved into a storyline where Ian Faith bequeathed a contract to his daughter, Hope, stipulating one final performance,” he explained. “Initially, she dismisses the contract’s worth, but everything changes when a prominent music star accidentally records a Spinal Tap song during a sound check, leading to a viral sensation on social media. Suddenly, the contract gains significant value and importance.”

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Reiner confirmed that, similar to the first film, a significant portion of the performances in the sequel will be improvised. “Given our long-standing friendships, we easily fall back into our roles,” he remarked, emphasizing the chemistry among the cast. “While we have a well-structured 10-page outline, many scenes evolve through improvisation, with some lasting 15 to 20 minutes yet only making it into the final cut as a brief segment.”

Both Paul McCartney and Elton John have proven to be adept improvisers, he noted. “We crafted engaging ideas for both Paul and Elton, and they were genuinely excited to contribute. Their natural ability to converse spontaneously adds an authentic touch to the film, enhancing the comedic elements,” Reiner added.

In addition to the humorous performances, new Spinal Tap songs will feature prominently in the movie and its accompanying soundtrack album. “Expect to hear several tracks, including contributions from Elton John and a song by Paul McCartney. While these songs aren’t traditional Spinal Tap numbers, they are well-known and loved by fans. The remainder of the album will showcase entirely new material,” he explained.

Reiner teased one of the new tracks, revealing a scene in which renowned rock photographer Henry Diltz takes the band to a cemetery in New Orleans. “Nigel questions the purpose of their visit, pondering why they’re surrounded by graves. In response, Henry offers a reality check about mortality, prompting Derek to contemplate his own afterlife. This leads to his imaginative song, ‘Rockin’ In The Urn,’ which humorously explores the concept of performing even after death,” Reiner divulged.