In December 2024, Gene Simmons made a bold statement that rock music was effectively dead, but the artists featured in our curated list of the Top 30 Rock Songs of 2024 are ready to challenge that notion. These songs prove that the spirit of rock is very much alive and kicking.

As we approach the end of another captivating year, UCR reflects on a remarkable twelve months filled with powerful rock anthems that reinvigorated our passion for the genre. This year’s lineup included thunderous releases from heavy metal icons like Judas Priest and Bruce Dickinson, electrifying blues-rock tracks from Jack White and The Black Keys, and soulful compositions from legends such as Billy Joel and Stevie Nicks. Additionally, we witnessed exciting reunions from bands like The Black Crowes and The Cure. This list represents just the tip of the iceberg.

Continue reading to explore our complete ranking of the Top 30 Rock Songs of 2024.

30. James McCartney, “Primrose Hill”

From: Beautiful Nothing

James McCartney stirred up attention when he announced his collaboration with Sean Ono Lennon on the track “Primrose Hill.” The song beautifully captures a sense of nostalgic melancholy reminiscent of the legendary work from their fathers. This folk-infused acoustic ballad narrates a heartfelt tale of cherished memories and yearning. Lines like “You disappear forever / forever’s a long word / but never’s not long enough / to be loving you” showcase McCartney’s lyrical prowess, echoing the mastery of his lineage, which he has clearly inherited.

29. Mike Campbell & the Dirty Knobs feat. Graham Nash, “Dare to Dream”

From: Vagabonds, Virgins & Misfits

After years of being Tom Petty’s trusted partner, guitarist Mike Campbell has embraced his role as a frontman, and his confidence shines through in “Dare to Dream.” This languid, quasi-psychedelic rock track is filled with enchanting guitar riffs and Campbell’s distinctive vocal style, which bears a striking resemblance to Petty’s. The guest appearance from Graham Nash adds a rich layer of authenticity to the song’s ’60s pop-rock vibe, making it a nostalgic yet fresh listening experience.

28. The Darkness, “The Longest Kiss”

From: Dreams on Toast

The Darkness has done it again with their cheeky lead single from their upcoming album, showcasing a sound heavily influenced by Queen. The track features punchy guitar harmonies and dynamic keyboard rhythms, creating a quintessentially British rock anthem. Lead vocalist Justin Hawkins delivers a surprisingly restrained performance, skillfully highlighting his mid-range vocals while building anticipation for the high-energy vocal flourishes that fans have come to love from the band.

27. Joe Satriani and Steve Vai, “Sea of Emotion, Pt. 1”

It might come as a shock that guitar legends Joe Satriani and Steve Vai had never collaborated in the studio until now. Their first joint effort, “Sea of Emotion, Pt. 1,” makes up for lost time with a sprawling and intricate composition. Both virtuosos prioritize melody and structure, delivering a funky jam filled with captivating hooks throughout. The track culminates in exhilarating solos that showcase their signature styles, leaving listeners craving more from this dynamic duo.

26. Little Feat and Bonnie Raitt, “Long Distance Call”

From: Long Distance Call

Little Feat’s rendition of Muddy Waters’ classic blues staple is a captivating blend of the familiar and the innovative. Collaborating once more with Bonnie Raitt, they create a mesmerizing duet featuring classic percussionist Sam Clayton in his debut vocal role. His gravelly, confident delivery, paired with Scott Sharrard’s sizzling slide guitar, transforms the track into a modern blues masterclass, celebrating the rich tradition of blues music while infusing new life into it.

25. Melvins, “Working the Ditch”

From: Tarantula Heart

“Working the Ditch,” the lead single from Melvins‘ 27th studio album, showcases the band’s signature sludge-metal style in a way that is both familiar and experimental. As the track unfolds, it features grinding, hypnotic riffs that pull listeners into a dense soundscape, anchored by Buzz Osborne’s gruff, repetitive chants. The dual-drum assault from Dale Crover and Roy Mayorga adds a unique texture, creating an intriguing balance between heaviness and looseness in their gurgling sonic mix.

24. Ozzy Osbourne, Billy Morrison and Steve Stevens, “Crack Cocaine”

From: The Morrison Project

“Crack Cocaine” can be interpreted as a metaphor for a toxic relationship, a reading supported by Billy Morrison‘s lyrics; however, it is impossible to separate the track from Ozzy Osbourne‘s notorious past. Regardless of interpretation, the song is quintessential Ozzy, featuring heavy riffs reminiscent of his collaborator Zakk Wylde and an explosive solo from Steve Stevens, who is known for his work with Billy Idol. Osbourne’s fierce and lucid delivery complements the theme of indulgence that has often defined his career.

23. Billy Idol, “Best Way Out of Here”

From: Rebel Yell (Expanded Edition)

When Billy Idol reintroduced “Best Way Out of Here,” a previously unreleased track from the Rebel Yell sessions, he noted the influence of Prince on Steve Stevens‘ guitar work. The song features funky guitar licks and a heavy synth backdrop, creating a sonic landscape that pays homage to the era’s pop landscape. Idol’s scat-infused vocals add an unexpected reggae twist, highlighting his versatility and ability to blend genres while delivering a catchy, memorable track.

22. Dream Theater, “Night Terror”

From: Parasomnia

Fans of Dream Theater were thrilled with the return of cofounding drummer Mike Portnoy in 2023, and “Night Terror” serves as a testament to their rekindled chemistry. This ten-minute progressive metal masterpiece offers an intricate blend of blistering guitar solos and unpredictable time signatures, showcasing the band’s technical prowess. Portnoy’s dynamic fills and grooving rhythms remind listeners of his roots in rock, making this track a welcome return for long-time fans.

21. Slash feat. Brian Johnson and Steven Tyler, “Killing Floor”

From: Orgy of the Damned

After a lengthy hiatus, Slash finally embraced his love for blues with the all-star covers album Orgy of the Damned. His rendition of Howlin’ Wolf’s “Killing Floor” showcases his signature fast-paced solos and effortless groove. Brian Johnson delivers a powerful vocal performance, while Steven Tyler adds a gritty harmonica solo that enhances the song’s raw intensity, creating a compelling tribute to the genre’s roots.

20. Sheryl Crow feat. Tom Morello, “Evolution”

From: Evolution

Sheryl Crow remains a powerful presence in rock music, and her track “Evolution” tackles significant themes surrounding the unchecked growth of artificial intelligence. Drawing from her 30 years of experience in the music industry, Crow expresses her dismay over hearing a song that mirrors her style on the radio. The song features a futuristic solo from Tom Morello, emphasizing the sentiment that some artistic qualities cannot be replicated, highlighting the importance of genuine creativity.

19. Eddie Vedder, “Room at the Top”

From: Bad Monkey soundtrack

Eddie Vedder has long admired Tom Petty and has performed “Room at the Top” numerous times before finally recording it for the soundtrack of Apple TV+’s Bad Monkey. His deep affection for the song shines through in his emotive vocals, paired with Andrew Watt’s punchy production that adds anthemic qualities to the track. This blend of emotional depth and musical strength is a hallmark of Vedder’s artistry, shaped by his experiences and influences.

18. Ace Frehley, “Walkin’ on the Moon”

From: 10,000 Volts

On his latest album 10,000 Volts, Ace Frehley embraces his trademark style of catchy hard rock infused with pop sensibilities. “Walkin’ on the Moon” exemplifies this approach with its infectious cowbell rhythm, powerful guitar riffs, and Frehley’s confident vocal performance. Whether it serves as a personal reflection on extraterrestrial experiences or an homage to classic rock, the track elevates the genre with its soaring melodies and compelling energy.

17. MC5 feat. Tom Morello, “Heavy Lifting”

From: Heavy Lifting

MC5’s Heavy Lifting arrives an impressive 53 years after their sophomore release, 1971’s High Time. This significant gap allows for a fresh take on their sound, particularly evident in the title track featuring Tom Morello. The collaboration results in a raucous blend of metallic funk that captures the essence of both artists’ legacies while offering a fitting tribute to rock’s enduring influence.

16. Bruce Dickinson, “Rain on the Graves”

From: The Mandrake Project

Known for his daring artistic choices, Bruce Dickinson returns with his first solo album in 19 years, The Mandrake Project. The pre-release single “Rain on the Graves” is a high-concept exploration of themes like abuse, identity, and the occult. The song showcases Dickinson’s operatic vocal style paired with powerful riffs and driving rhythms, maintaining a fierce intensity that has defined his career.

15. The Smashing Pumpkins, “Sighommi”

From: Aghori Mhori Mei

The Smashing Pumpkins have always been known for their duality, oscillating between heavy rock and more experimental sounds. “Sighommi,” the lead single from Aghori Mhori Mei, firmly fits into the hard rock category, showcasing pulsating grooves and aggressive guitar work. Billy Corgan‘s distinctive vocals add an emotional layer, transforming the track into a powerful anthem of longing and intensity.

14. Mark Knopfler, “Ahead of the Game”

From: One Deep River

<pMark Knopfler has long been a stalwart of global music, and in “Ahead of the Game,” he masterfully turns a pub performance into an extraordinary experience. His laid-back approach combines pop-rock with blues and country influences, delivering a smooth yet impactful sound. Lines like “We’re worn out and weary, all of us / But we know why we came” resonate with listeners, reflecting a profound understanding of life’s journey.

13. Billy Joel, “Turn the Lights Back On”

Non-album single

After stepping away from pop music post-1993’s River of Dreams, Billy Joel returned with “Turn the Lights Back On,” a reflective piano ballad that questions whether he’s missed his moment. This song encapsulates Joel’s classic ’70s style, showcasing his weathered yet powerful voice. The overwhelmingly positive reception of the song during its live debut at the 2024 Grammys confirmed his enduring appeal and relevance in today’s music scene.

12. Stevie Nicks, “The Lighthouse”

Non-album single

Written in response to the overturning of Roe v. Wade, Stevie Nicks‘ “The Lighthouse” serves as a powerful anthem for women’s rights. The song encourages women to embrace their strength and resilience, with Nicks delivering both warmth and fierce defiance. Her verses convey empathy, while the chorus transforms into a rallying cry, urging listeners to “see the future and get mad.” Nicks embodies the spirit of a warrior, standing up for justice and empowerment.

11. Sebastian Bach, “Everybody Bleeds”

From: Child Within the Man

The title of “Everybody Bleeds” and its accompanying album Child Within the Man reflect Sebastian Bach‘s growth and newfound perspective. However, this former Skid Row frontman hasn’t lost his edge. The track is a powerful metal anthem filled with infectious riffs, thunderous drums, and Bach’s soaring vocals. The message is clear: if everyone suffers and endures, Bach is determined to face it all head-on and leave a lasting impact.

10. The Smile, “Friend of a Friend”

From: Wall of Eyes

Is it too easy to describe “Friend of a Friend” as Beatlesque? The Radiohead offshoot recorded their sophomore album at Abbey Road Studios, and this single is an art-rock journey led by Tom Skinner‘s intricate drumming and Thom Yorke‘s ethereal vocals. Inspired by videos of Italians singing on their balconies during lockdown, the track builds to a cathartic climax, addressing themes of isolation and the search for connection amid chaos.

9. Pearl Jam, “Dark Matter”

From: Dark Matter

The title track from Pearl Jam‘s twelfth studio album hits hard with driving percussion, energizing riffs, and electrifying call-and-response vocals from Eddie Vedder. This performance captures the essence of the band’s mid-’90s glory days, enhanced by Andrew Watt’s modern production techniques. The blistering guitar solo from Mike McCready reaffirms that Pearl Jam remains a potent force within the alternative rock scene.

8. The Black Keys, “Beautiful People (Stay High)”

From: Ohio Players

With “Beautiful People (Stay High),” The Black Keys have evolved beyond their roots as a duo, showcasing a polished alt-rock sound that reflects their growth. Co-written by a team that includes Beck, the song features catchy backing vocals and vibrant brass and keyboard arrangements. While it may not be an arena-sized anthem, it embodies the essence of a band that has confidently stepped out of the garage and into the spotlight.

7. Robert Plant and Alison Krauss, “When the Levee Breaks”

Non-album single

Few rock legends have successfully reinterpreted their classics like Robert Plant has with Alison Krauss. Their take on the Memphis Minnie blues classic “When the Levee Breaks” transforms it into a haunting, elemental dirge. Plant’s rich vocals convey a sense of urgency, complemented by Krauss’ emotive violin work, which nods to Led Zeppelin’s “Friends” before launching into an exhilarating rootsy crescendo.

6. Green Day, “1981”

From: Saviors

Post-American Idiot, Green Day has often wrestled with ambitious projects, but they return to their roots with the punchy anthem “1981.” This track encapsulates the band’s early punk spirit, featuring raw power chords and anthemic choruses. “1981” serves as a reminder of who Green Day is at their core, offering a nostalgic yet fresh take on their signature sound.

5. David Gilmour, “The Piper’s Call”

From: Luck and Strange

“The Piper’s Call” is a thoughtful reflection on the pitfalls of fame, as David Gilmour shares his insights from a lifetime in the music industry. The track begins with gentle acoustic strumming and Gilmour’s soft vocals, warning listeners to “steer clear of snakes” and avoid the traps of success. As the song progresses, it builds to a powerful guitar solo, a guiding light in a world full of distractions.

4. Judas Priest, “The Serpent and the King”

From: Invincible Shield

For those seeking pure, unfiltered heavy metal, Judas Priest‘s “The Serpent and the King” delivers just that. The track showcases the band’s classic sound, featuring rapid-fire riffs and double-kick drumming that encapsulate the essence of metal. Rob Halford’s soaring vocals narrate an epic tale of good versus evil, infused with the fierce energy that has defined the band’s legendary career.

3. Jack White, “That’s How I’m Feeling”

From: No Name

<pJack White has always excelled at merging blues-rock with irresistible pop hooks, and “That’s How I’m Feeling” exemplifies this talent. The lead single from his surprise album features a dynamic blend of aggressive instrumentation and infectious melodies. White’s passionate vocals cut through the energetic soundscape, delivering a track that feels as fresh and vital as ever, even decades after the inception of his career.

2. The Black Crowes, “Wanting and Waiting”

From: Happiness Bastards

The reunion of The Black Crowes on “Wanting and Waiting” is exhilarating, showcasing the band’s signature blues-rock sound with soul and confidence. Brothers Chris and Rich Robinson deliver a captivating blend of dynamic vocals, sizzling riffs, and rich keyboard textures, creating a vibrant and rhythmic track. Fans are left hoping that it won’t take another 15 years for the brothers to grace us with more of their incredible music.

1. The Cure, “Alone”

From: Songs of a Lost World

The Cure’s first album in 16 years begins with a contemplative note as Robert Smith sings, “This is the end of every song that we sing,” three and a half minutes into the opening track “Alone.” This majestic slow burn captures the essence of the band’s career while simultaneously pushing them into new artistic territories. While reflecting on years past, Smith’s yearning voice remains powerful, proving that at 65, he still resonates deeply with his audience.