The Darkness’ albums reveal a sophisticated musical strategy that might be superficially interpreted as simplistic or, in some unfortunate instances, as campy by casual listeners. However, this perception is misleading, as the band’s true artistry lies beneath the surface. This acclaimed British band skyrocketed to fame with their 2003 debut Permission to Land, and they meticulously craft their 1970s-inspired glam rock infused with hard rock elements, ensuring that every note resonates for maximum effect. Their creative approach is anything but straightforward, showcasing layers of complexity that invite deeper exploration.

After 22 years, the clever nods in Justin Hawkins’ classic rock performances are easily recognizable. The cover art for the Darkness’ latest album, 2021’s Motorheart, features bizarre phallic-shaped mechanical beings emerging from a fantastical cosmic realm, closely linked to a track that humorously discusses engaging in intimate activities with robots. This artistic choice seems reminiscent of Roger Dean’s iconic artwork, yet takes a distinctly provocative turn, merging the fantastical with the absurd.

Throughout the band’s eighth album, Dreams on Toast, amusing and quirky elements abound, from its unconventional title to the opening track, “Rock and Roll Party Cowboy,” which perfectly encapsulates the exhilarating, carefree spirit that its name suggests. Despite the flamboyant spangled outfits and soaring falsetto vocals, there lies an emotional core that resonates deeply: “There goes thе best seven years of my life / There goes a girl who only saw me, not my influence or my wealth / There goes the only human being I have ever loved more than I hate myself,” Hawkins poignantly sings in the deceptively upbeat track “I Hate Myself.”

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If we consider Motorheart as a semi-concept album exploring the intricacies of modern relationships, Dreams on Toast diverges from that path, embracing a more carefree ethos with no singular theme other than to enjoy life and navigate its challenges with a sense of humor. The album, clocking in at a brisk 33 minutes, delivers an eclectic mix of genres, featuring elements of power pop, metal, and even a touch of lively country vibes in tracks like “Hot on My Tail” and “Cold Hearted Woman,” all contributing to its energetic and unpredictable atmosphere.

Recognizing the musical influences within The Darkness’ work is straightforward, with notable references including the AC/DC-inspired boogie of “Rock and Roll Party Cowboy” and “Mortal Dread,” alongside the Beatles-meets-Queen bounce of “The Longest Kiss.” Furthermore, “Walking Through Fire” serves as a heartfelt tribute to the band itself. In this track, Hawkins candidly shares, “Our next long player is coming out soon / I’ll be honest, I’m under the moon / We’re only doing this cause it’s fun / Don’t even think my mum bought the last one,” over an inviting introduction featuring acoustic guitars that lead into one of The Darkness’ standout tracks. After more than two decades since their initial ascent, Dreams on Toast confirms that the band is still confidently carving out a unique musical identity.