Bernie Leadon’s growing frustration with his role in the Eagles culminated in a dramatic incident around the time of the band’s 1975 album One of These Nights. This tension reached a peak during a heated discussion about the band’s evolving creative direction, which ultimately led to him pouring a beer over Glenn Frey’s head. This moment was more than just a physical altercation; it symbolized the deepening rift between Leadon and the band’s new rock-centric trajectory.
As noted by One of These Nights producer Bill Szymczykk in the History of the Eagles documentary, Leadon, a founding guitarist and multi-instrumentalist, was increasingly dissatisfied with the Eagles’ shift from their country roots to a more rock-oriented sound. “We were getting more and more rocked out, and I think Bernie was less and less happy about that,” he explained. This sentiment echoed the feelings of other band members, highlighting the internal conflicts that arose as the Eagles’ music evolved.
Don Henley reinforced this perspective, stating, “Glenn and I always wanted the band to be a hybrid, to encompass bluegrass and country and rock and roll.” He acknowledged that Leadon had a significant resistance to this change, which ultimately contributed to ongoing tensions, particularly between Leadon and Frey. The struggle for creative direction and artistic integrity became a significant source of discord within the group.
Henley also pointed out that the Eagles’ escalating commercial success was a source of frustration for Leadon. “To Bernie, success on any scale was synonymous with selling out. He wanted us to remain sort of an underground band.” This perspective illustrates the divide between the band’s aspirations for mainstream success and Leadon’s desire for authenticity in their music. His views reflect a broader conflict that many artists face when navigating the balance between commerciality and artistic integrity.
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Leadon later expressed that the rapid rise of the band’s career was overwhelming at such a young age. “You’d have to remember how young we were, the fact that nobody had anything when we started, and you got all this stuff coming at you, meanwhile you’re touring all the time. It’s a lot.” His sentiments reveal the pressures faced by young musicians thrust into the spotlight and the toll it can take on personal relationships and mental health.
According to Frey, the tensions came to a head during a concert at the Orange Bowl in Miami. “We were backstage and we were talking about what our next move was gonna be. I was animated and adamant about what we needed to do next, here there and everywhere, and Bernie comes over and pours a beer on my head and says, ‘you need to chill out, man.’” This incident marked a pivotal moment in the band’s history, showcasing the clash of personalities and the stress that can arise from creative differences.
Leadon’s version of events offers a slightly different perspective. In a 2025 interview with Rock History Music, he recounted that the beer pouring incident occurred during a band meeting in 1975. “I said, ‘I’m gonna leave the band.’ It was about four months till the end of the year. I said ‘let’s do good shows, to prove how good we can do them, and then I’ll be gone.’” His eventual departure in December 1975 resulted in Joe Walsh stepping in as his replacement just a month later.
(In the History of the Eagles documentary, Frey doesn’t specify the date of the show, just the city and venue. There is no record of the Eagles playing the Orange Bowl on the 1975-76 One of These Nights tour, although they did perform there on July 7, 1974.)
Leadon insists that the beer incident was not premeditated. “I have no idea, it was a spontaneous thing. I take that incident now quite seriously,” he stated in the History of the Eagles. “That was a very disrespectful thing to do. Obviously it was intended to be humiliating to him, I would say, and is something I’m not really proud of. It did illustrate a breaking point.” This admission highlights the complexity of interpersonal relationships within the band and the impact of stress on behavior.
Moreover, Leadon emphasized that the challenges they faced were not solely related to the band’s changing sound. “That?s an oversimplification,? he told Rolling Stone in 2008. ?It implies that I had no interest in rock or blues or anything but country-rock. That?s just not the case. I didn?t just play Fender Telecaster. I played a Gibson Les Paul and I enjoyed rock & roll. That?s evident from the early albums. …I just wanted some time to regroup. I suggested we take some time off. They weren?t excited about that idea.? His comments reflect a desire for balance and a return to their roots, which ultimately proved to be a contentious issue.
How an Apology Letter Forged Bernie Leadon’s Path to Reconnection with the Eagles
Although all seven current and former members of the Eagles, including Leadon, performed together during the band’s 1998 induction into the Rock and Roll Hall of Fame, it took much longer for him to reconcile with Frey. In the mid-2000s, Leadon found himself unable to reach Frey directly. In an effort to make amends, he sent a certified letter to Frey’s office, expressing his remorse for his past actions. “I became a recovering alcoholic and when you do recovery work, one of the things you do is you realize who you harmed and then you become willing to make amends to them,” he explained to Rock History Music.
Leadon recounted, “I didn’t hear anything back for like five, six years.” His breakthrough came when he was invited to participate in the [History of the Eagles] documentary. During the interview process, he was asked about the infamous beer incident, leading to the quote, “that was a very disrespectful thing to do.” This acknowledgment marked a significant step in his journey toward reconciliation.
Shortly after that interview, Eagles manager Irving Azoff contacted Leadon, inquiring whether he would be interested in guest-starring on the band’s extensive 2013-2014 History of the Eagles tour. This invitation was a pivotal moment for Leadon, indicating a shift in the band’s dynamics and a willingness to mend old wounds.
During a conversation with Frey, Leadon recalled, “So then Glenn called me, and in the course of that conversation he said, ‘I got your letter and appreciated it.’ The fact that he called me was evidence that he felt better about things. The fact that I cleared that up with him and apologized was the reason that it became possible to consider having me [join the tour].” This interaction highlights the power of communication in healing past grievances.
In a 2013 interview with Rolling Stone, Leadon expressed that he had no regrets about his decision to leave the Eagles, noting that he may have been right about the band needing a break. ?It was a great time in my life, but everything since then has been great, too. What?s funny is that a year after I left, they did wind up taking a long break.? His reflections illustrate the complexities of career choices and the paths artists take in pursuit of their passions.
Despite his accomplishments, Leadon confessed to Rock History Music that he wished the beer incident would not define his legacy. ?After Wikipedia became established and I looked at my own entry [on the site], it basically said, ?Bernie Leadon left the band because he poured a beer on Glenn Frey?s head,? which I thought, ?Well, that?s kind of a funky legacy.? They don?t talk about my guitar playing; they just talk about me pouring a beer on Glenn?s head.” This desire for a more nuanced legacy reflects the challenges artists face in being remembered for their contributions rather than their controversies.
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Gallery Credit: Nick DeRiso
