Throughout his extensive career, Robert Plant has immersed himself in the world of music, believing that it is the only authentic way to experience life. For Plant, music is not just a pastime; it is a fundamental aspect of his existence. He remarked, “I made my first record in 1966, and to be honest, I don’t think I can hack not doing it,” during an interview with Mojo in 2023. He views music as a dynamic force: “It’s motion. It’s like, do you want to go home and read about it? Do you want to speculate on whether it was wrong not to do this or that? No, you just do it. The communion, for me, is the game.”

Although Plant’s tenure with Led Zeppelin is often highlighted, it represents only a small portion of his musical journey. His solo career took off with the release of Pictures at Eleven in 1982, followed by a remarkable output of ten additional solo albums and two Grammy-nominated collaborations with the talented Alison Krauss. Plant has continually evolved as an artist, showcasing his versatility and depth in music beyond his rock roots.

Particular attention is often directed towards the early 1980s, a pivotal time when Plant sought to carve out his distinct musical identity following a decade of being part of one of rock’s most iconic bands. This transition was not without its challenges, as he aimed to redefine his sound while maintaining the essence of his artistry. Below, we explore a selection of Plant’s most remarkable tracks released after the year 2000, following nearly two decades of successful solo endeavors.

1. “Song to the Siren”
From: Dreamland (2002)

Many renowned artists, including John Frusciante, Sinead O’Connor, and Bryan Ferry, have interpreted Tim Buckley’s haunting classic “Song to the Siren.” However, Robert Plant’s rendition, featured on his 2002 album Dreamland, stands out for its breathtaking vocal performance. Reflecting on this song during a 2020 episode of his Digging Deep podcast, Plant remarked, “These songs are infinite really, and I wanted to sing it.” His deep emotional connection to the piece resonates, making it a timeless interpretation.

2. “Last Time I Saw Her”
From: Dreamland (2002)

Continuing chronologically, another standout track from Dreamland is “Last Time I Saw Her,” showcasing Plant’s knack for creating original content. This song, one of the few originals on the album, features an extraordinary rhythm section, with Charlie Jones on bass and Clive Deamer on drums, complemented by an electrifying guitar solo from Justin Adams. The combination of these elements creates a captivating listening experience that highlights Plant?s artistic evolution.

3. “Shine It All Around”
From: Mighty ReArranger (2005)

In 2005, Plant reemerged with Mighty ReArranger, his first original album in nearly a decade, and it was nothing short of a revelation. The lead single, “Shine It All Around,” demonstrated that while Plant had moved on from his previous band, the influences of blues-based rock remained deeply ingrained in his music. This track not only showcased his vocal prowess but also earned a Grammy nomination for Best Solo Rock Vocal Performance, reaffirming his status as a formidable solo artist.

4. “Gone Gone Gone (Done Moved On)” With Alison Krauss
From: Raising Sand (2007)

Some musical partnerships are simply magical, and the collaboration between Robert Plant and Alison Krauss is a prime example. Their joint album, Raising Sand, released in 2007, received five Grammy nominations and won them all, a testament to their unique synergy. A highlight of this collaboration is their cover of the Everly Brothers’ “Gone Gone Gone (Done Moved On).” Producer T Bone Burnett once noted, “[Krauss’] much more pristine,” while Plant’s style embodies the rawness of the blues. This contrast creates a harmonious blend that captivates listeners and showcases their individual strengths.

5. “Turn It Up”
From: Lullaby and… The Ceaseless Roar (2014)

Having had the privilege to witness “Turn It Up” performed live shortly after its release, I can personally attest to its gritty, rebellious spirit. This song draws inspiration from the vibrant music Plant encountered during his travels in the American South. He explained, “I was searching to see if I could find out what the character of the area was from the radio that was on in the car.” The lyrics reflect a nostalgic connection to a time when Clarksdale, Mississippi, was a pivotal hub for the Black music revolution, long before the Great Migration to Chicago.

6. “Rainbow”
From: Lullaby and… The Ceaseless Roar (2014)

“Rainbow” offers a more tender, introspective side of Lullaby and… The Ceaseless Roar. While it showcases a softer tone, the song is no less impactful and fits perfectly within the album’s overall mood. Plant described the record as “really a celebratory record, but it’s very crunchy and gritty, very West African and very Massive Attack-y.” The intricate layering and rich textures make it an engaging track, one that resonates deeply with listeners and highlights Plant’s innovative approach to music.

7. “The May Queen”
From: Carry Fire (2017)

Plant’s lyrical reference to “If there’s a bustle in your hedgerow, don’t be alarmed now / It’s just a spring clean for the May queen” harks back to his iconic Stairway to Heaven from 1971. Nearly five decades later, he revisits this motif in “The May Queen,” although Plant insists it was unintentional. He shared with BBC 6Music?s Matt Everitt, “I didn’t even see it like that to begin with.” The enduring nature of his lyrics and their connection to his past adds depth to his current work.

8. “Bluebirds Over the Mountain” With Chrissie Hynde
From: Carry Fire (2017)

Written by Ersel Hickey in 1958, “Bluebirds Over the Mountain” finds a new life in Plant’s collaboration with the talented Chrissie Hynde. Plant has a knack for performing rockabilly songs alongside American women, and this track exemplifies that chemistry. He praised Hynde, stating, “She?s quite a profound woman… the light comes off from different angles.” Their combined artistry creates a rich tapestry of sound that captivates audiences and showcases their individual strengths.

9. “High and Lonesome”
From: Raise the Roof (2021)

The second collaboration between Plant and Krauss, Raise the Roof, features a mix of covers and original material, including “High and Lonesome,” which Plant co-wrote with T Bone Burnett. The track features a stellar ensemble of musicians, including Jay Bellerose on drums and Dennis Crouch on bass, all contributing to a powerful sound. This collaboration highlights Plant’s ability to blend his signature style with the talents of other musicians, creating a rich and dynamic listening experience.

10. “Don’t Mind” With Patty Griffin
From: Tape (2022)

While not a direct release from Plant, “Don’t Mind” features him alongside his frequent collaborator and former partner, Patty Griffin. This track comes from Griffin’s 2022 album, Tape, which comprises recordings she unearthed during the pandemic. Plant has lauded Griffin’s artistry, stating, “She?s such a tiny, beautiful character, but she’s just enormous in her passion and her writing.” His admiration for her work underscores the profound connection they share as artists, enriching the musical landscape.