Taylor Sheridan’s Landman shines brightest when it focuses on the complexities of its characters rather than controversial spectacles. The recent episodes reveal that the series, while inspired by the true stories of oil field workers in the Permian Basin of West Texas, delves deeper into diverse life experiences. Through the eyes of Cooper (Jacob Lofland), representing the working class, and Monty (Jon Hamm), who embodies the elite business world, Landman offers a nuanced perspective of the oil industry and its myriad players. However, some story elements have not contributed positively to this intricate tapestry.

Since its debut, a significant portion of the criticism surrounding Landman has revolved around two characters: Angela (Ali Larter) and Ainsley (Michelle Randolph). This mother-daughter duo often prioritizes their social lives and the pursuit of wealthy partners over substantive goals, frequently seen in revealing swimwear. Many viewers have expressed discomfort with the portrayal of Ainsley, a 17-year-old, and the sexualization that accompanies her character. This controversy is heightened by the fact that these scenes appear largely unnecessary to the show’s overarching narrative, a point highlighted in Landman episode 6.

Why Landman Episode 6 Thrived Without Ainsley & Angela’s Controversial Scenes

Landman Episode 6 Achieved Dramatic Depth by Omitting Ainsley & Angela’s Controversial Elements

Episode 6 of Landman stands out as the season’s strongest installment, demonstrating that the show can thrive without relying on the superficiality associated with Angela and Ainsley. While this episode includes some subplots, such as Tommy’s interactions with Monty and Angela’s struggles with her husband, the primary focus is on the repercussions of the assassination attempt on Cooper. This narrative shift eliminates the need for Ainsley and Angela’s bikini appearances, resulting in a more cohesive and engaging episode. The storytelling felt sharper and more emotionally resonant, showcasing a deeper exploration of character motivations.

One of the most compelling aspects of episode 6 was how it allowed Angela and Ainsley to step away from their previous roles as mere distractions. Instead of merely causing trouble for Tommy, they engaged with Cooper, sharing their concerns and insights. Angela experienced a moment of empowerment by walking away from her husband, while Ainsley confronted Cooper more assertively. Although episode 7 reintroduced the physicality associated with Angela and Ainsley through their fitness class, it also followed in the footsteps of episode 6 by providing them with meaningful character growth within the nursing home context.

The Norris Family Drama: Central to the Narrative of Taylor Sheridan’s Landman

Emphasizing the Norris Family Dynamics Over Angela & Ainsley’s Sexual Exploitation

While Landman utilizes the oil industry as its backdrop, it fundamentally revolves around the complexities of the Norris family. The struggle of Tommy to guide Cooper away from his own past whilst also supporting Ainsley’s growth into adulthood is a universally relatable theme that resonates deeply with viewers. Moreover, Angela’s efforts to mend her family and rectify past mistakes mirror the tragic narratives seen throughout the series. The emotional depth of the Norris family serves as the cornerstone of Landman, and a closer examination of their relationships promises to enhance the show’s success.

The dynamics within the Norris family are vital to the narrative of Landman, and the recent episodes have benefited from a shift away from the one-dimensional portrayals of Angela and Ainsley. In just two episodes, their characters have evolved from mere objects of intrigue to complex individuals with relatable aspirations, fears, and motivations. The storyline in episode 7, which features Angela and Ainsley, was much more engaging than their previous appearances, as they moved beyond superficial antics to explore deeper emotional territories. If Landman continues to develop Angela and Ainsley’s characters in this direction, it may very well transcend its most controversial aspects altogether.