The 1980s undeniably stand out as a decade that shaped the concept of musical guilty pleasures. This era witnessed the rise of innovative musical technologies that expanded creative horizons for artists and producers alike. The introduction of synthesizers and drum machines allowed musicians to experiment with sounds, leading to the creation of unforgettable tracks filled with catchy hooks and memorable melodies. The power ballad became a defining feature of this musical landscape, making its mark on the pop culture of the time. While many songs from this era have retained their charm and popularity, others have not aged as gracefully. The ‘80s produced numerous tracks that evoke both nostalgia and embarrassment, raising the question: which songs are we secretly fond of?

To help you navigate this musical minefield, we’ve compiled a list of 20 iconic guilty pleasure songs from the sensational 1980s that continue to spark joy and debate among fans.

Toto, “Africa”
Even the band’s own guitarist, Steve Lukather, had mixed feelings about the iconic track “Africa.” In a candid interview back in 2006, he referred to it as an “odd-ball song” that he was initially hesitant to include on the album. Interestingly, keyboardist David Paich, who wrote the song, had never set foot in Africa; he crafted the lyrics based on a documentary he had watched late at night. Yet, the song’s unique blend of whimsy and cheesiness has led to its enduring popularity. Decades later, it still resonates with listeners, even inspiring a successful cover by Weezer, proving that some musical gems withstand the test of time.

Starship, “We Built This City”
Starship’s infamous 1985 hit is frequently labeled one of the worst songs ever, often criticized for its overproduced sound and corporate rock vibes. This backlash stems from a perception that Starship, once a beacon of counterculture in the ‘60s under the name Jefferson Starship, had compromised its integrity. Despite the criticism, “We Built This City” was a commercial triumph, dominating the charts and remaining a staple of ‘80s music. Whether you love it or hate it, the catchy chorus makes it impossible not to sing along, showcasing its undeniable earworm quality.

Rick Springfield, “Jessie’s Girl”
In a memorable moment from 2013, over three decades after its release, Rick Springfield performed “Jessie’s Girl” with the Foo Fighters during a concert supporting the Sound City documentary. The crowd erupted in excitement, prompting Dave Grohl to pause and remark, “That’s how you fucking know.” Springfield’s timeless classic about unrequited love resonates with audiences, showcasing the power of three simple chords and relatable lyrics. Its enduring legacy solidifies “Jessie’s Girl” as a quintessential ‘80s anthem that fans still cherish.

Motley Crue, “Girls Girls Girls”
The reasons behind adult men refraining from adorning their walls with posters of bikini models are multifaceted, yet the essence of songs often remains youthful. “Girls Girls Girls,” the notorious 1987 anthem from Motley Crue, encapsulates the carefree and raucous spirit of its time, serving as a nostalgic reminder of bygone days. While we may look back and smile at such tunes, it’s also a relief to have moved past those reckless years, leaving this raunchy classic within a cherished time capsule of our youth.

Toni Basil, “Mickey”
Well before contemporary pop stars like Chappell Roan and Gwen Stefani adopted cheerleader-like vocals, Toni Basil set the standard with her infectious 1982 hit “Mickey.” Despite its playful charm, the song’s lyrics may not earn accolades in the Songwriters Hall of Fame. Nevertheless, it remains a thoroughly enjoyable track that encapsulates the exuberance of the era, showcasing Basil’s unique style that has left a lasting impression on pop music.

Rick Astley, “Never Gonna Give You Up”
It’s rare for a song to achieve such a profound cultural resurgence decades after its initial release, but “Never Gonna Give You Up” did just that. Originally topping charts in 1987 and reaching No. 1 in 17 countries, including the U.K. and the U.S., the song’s catchy beat and memorable lyrics defined a generation. However, the advent of Rickrolling, where Astley’s performance is humorously inserted into various videos, catapulted the song into a worldwide phenomenon, re-establishing its place in pop culture and introducing it to a new audience.

Bon Jovi, “Livin’ on a Prayer”
In the realm of arena rock, few songs have made a more significant impact than Bon Jovi’s “Livin’ on a Prayer.” Released in 1986, its narrative about blue-collar lovers Johnny and Gina resonated deeply with the working class, serving as an anthem of hope and perseverance. Although Bon Jovi’s sound leaned towards the pop-friendly side, the song’s gritty themes struck a chord and it became a worldwide sensation. Over the years, it has contended with Journey’s “Don’t Stop Believin’” for the title of the most beloved karaoke song, proving its timeless appeal.

Mick Jagger and David Bowie, “Dancing in the Streets”
Even music legends like Mick Jagger and David Bowie can occasionally misstep. Their rendition of “Dancing in the Streets,” intended to raise funds for Live Aid, was met with mixed reviews, often described as campy and odd. While it achieved commercial success, the cover has been subjected to ridicule over the years, making it a guilty pleasure that fans may hesitate to admit enjoying, despite its catchy rhythm.

Styx, “Mr. Roboto”
Often unfairly blamed for marking the decline of Styx‘s classic era, “Mr. Roboto” holds a unique position in the band’s legacy. The track, a brainchild of vocalist Dennis DeYoung, faced disdain from other band members who disliked its theatrical flair. Regardless of the internal conflicts, “Mr. Roboto” continues to captivate both fans and critics with its avant-garde theme of man versus machine. The phrase “Domo arigato, Mr. Roboto” may seem silly, but the infectious nature of the song compels listeners to sing along every time it plays.

Wham, “Wake Me Up Before You Go-Go”
Beginning with the lively word “jitterbug,” a nod to a dance style from the 1930s, Wham’s 1984 hit “Wake Me Up Before You Go-Go” is a delightful pop confection that draws heavily from various musical influences. While it may lack the depth of high art, its infectious energy and feel-good vibes make it an irresistible anthem for carefree moments, perfectly encapsulating the joyful spirit of the ’80s.

Europe, “The Final Countdown”
Swedish rock band Europe aimed for a grand, stadium-worthy opening track for their third album and birthed “The Final Countdown.” Surprisingly, the nearly six-minute song became a massive hit, despite its initial intention not to be a short pop anthem. The track’s theatrical elements and powerful instrumentation resonate with audiences, while its iconic keyboard riff remains a defining feature, ensuring its status as a beloved guilty pleasure.

Olivia Newton-John, “Physical”
The transformation of Olivia Newton-John from the wholesome star of Grease to a more daring artist is epitomized in her 1981 hit “Physical.” This song marked a pivotal moment in her career, catapulting her to new heights of fame. Today, while the lyrics may seem less provocative than intended, the accompanying music video remains an enduring testament to the bold aesthetics of the ’80s, complete with leg warmers and headbands that defined the era.

Phil Collins, “Sussudio”
In the world of ’80s music, few artists embraced the era’s fondness for drum machines, synthesizers, and brass as much as Phil Collins. With “Sussudio,” he may have pushed the boundaries even further, crafting a track that exemplifies the quintessential sound of the decade. While some argue that it hasn’t aged gracefully and bears a striking resemblance to Prince’s “1999,” it remains a danceable tune that elicits guilty pleasure, proving that catchy melodies can transcend time.

Eddie Murphy, “Party All the Time”
Eddie Murphy is a comedic icon, and his foray into music during the ’80s was an unexpected venture. Partnering with Rick James for “Party All the Time,” Murphy faced skepticism, famously being challenged by Richard Pryor to prove his musical talent. The result was a catchy yet modestly produced track, where Murphy’s vocals are often overshadowed by the musical arrangement. Despite the mixed reviews, this piece of ’80s pop culture became a hit, retaining its status as a guilty pleasure for many fans, with Pryor never paying his bet.

Hall & Oates, “You Make My Dreams”
“You Make My Dreams” by Hall & Oates is a beautifully crafted composition featuring an infectious groove and a chorus that sticks in your head. Yet, despite its undeniable catchiness, it’s often a song that listeners may hesitate to openly appreciate. The upbeat and cheerful vibe has led some to label it as overly wholesome, distancing it from the “cool” factor that many seek in music.

Bonnie Tyler, “Total Eclipse of the Heart”
The extravagant and dramatic nature of Bonnie Tyler’s 1983 classic “Total Eclipse of the Heart” has earned it a reputation for being grandiose and overindulgent. Penned by the legendary Jim Steinman, known for his epic compositions, the song captivates listeners with its theatricality. Its lyrics, inspired by the classic 1992 vampire film Nosferatu, add an intriguing layer of depth, making it a fascinating guilty pleasure that continues to engage audiences.

Men at Work, “Down Under”
In the ’80s, the Australian cultural wave struck a chord globally, influenced by films like Crocodile Dundee and the rise of bands such as INXS and Men at Work. With “Down Under,” the latter band created a catchy anthem filled with references to Australian culture and colloquialisms. While the song may come off as somewhat silly today, its infectious melody and playful lyrics make it enjoyable, securing its legacy as a beloved classic, especially for its memorable mention of a Vegemite sandwich.

Billy Ocean, “Get Outta My Dreams, Get Into My Car”
“Get Outta My Dreams, Get Into My Car” by Billy Ocean remains a song that many people secretly enjoy, despite its cheesy lyrics and catchy hook. This chart-topping single from 1988 captured the hearts of many and became one of the year’s biggest hits. Although Ocean never reached such commercial heights again, this vehicle-themed classic continues to evoke fond memories, making it an enduring guilty pleasure.

Beach Boys, “Kokomo”
The musical genius of the Beach Boys is often associated with complex and rich compositions, but “Kokomo” takes a different route. This breezy island tune leans heavily into clichés, delivering lines like “Bermuda, Bahama, come on pretty mama” that may elicit a smile or a cringe. While it may not represent their finest work, the song’s laid-back vibe and catchy chorus make it a fun guilty pleasure that many people still enjoy.

Corey Hart, “Sunglasses at Night”
The hypnotic synth riff of “Sunglasses at Night” and the striking image of Corey Hart in his iconic attire make this song an unmistakable guilty pleasure of the ’80s. Despite Hart’s association with this track, his biggest hit remains “Never Surrender,” which peaked four spots higher on the Billboard Hot 100. Nevertheless, the catchy chorus and memorable aesthetic of “Sunglasses at Night” continue to resonate with fans, making it a nostalgic favorite.