Experience a unique twist on dating apps intertwined with elements of the supernatural, anchored by a compelling lead performance, yet it struggles to deliver genuine horror moments.
COMPELLING PLOT SYNOPSIS: In a world filled with superficial connections, a young woman becomes enamored with a charming yet enigmatic man whose hidden darkness transforms her infatuation into a perilous obsession.
DEEP DIVE INTO THE REVIEW: The intertwining of romance and horror creates a captivating narrative, akin to the delightful pairing of peanut butter and jelly. Both genres share a fundamental emotional resonance that allows them to beautifully converge. The theme of obsession serves as a powerful catalyst for the story in The Dead Thing, resulting in a viewing experience that oscillates between satisfaction and frustration, depending on the narrative’s progression. Fortunately, the film is anchored by a remarkable performance from the lead actress, Blu Hunt, whose portrayal brings depth to the character.
The Dead Thing is steeped in sexual themes from the outset, as the opening title card overlays a provocative scene that sets the tone. The initial act showcases Alex, portrayed by Hunt, navigating a series of fleeting one-night stands, illustrating her quest for connection. However, the narrative delves into much deeper themes, exploring the extreme lengths individuals will go to in their pursuit of filling emotional voids. Alex?s world shifts dramatically upon meeting Kyle, a seemingly gentle and sensitive man who conceals a disturbing secret, leading her down a path of obsession that becomes increasingly unsettling, transforming her dating escapades into acts of stalking.
Blu Hunt delivers a nuanced performance as Alex, portraying a complex mix of subdued emotions that truly carries The Dead Thing. It’s a challenge to embody a character grappling with depression without veering into caricature, yet Hunt successfully conveys the character’s profound sadness. Whether through her endless encounters with men or the monotonous job she endures, Alex’s existence is a disheartening blur. Her fearlessness is evident as she navigates dark emotional territories. In contrast, Ben Smith-Petersen, a stuntman turned actor, offers a somewhat stiff performance as Kyle; however, he manages to create a believable dynamic with Alex. The film’s pacing is leisurely, and the presence of John Karna, known from the Scream TV series, injects some much-needed energy into the story.
In a cinematic landscape where dating apps have been extensively explored, The Dead Thing intriguingly carves its own niche. The title itself hints at some underlying element of death, and while I won’t spoil the specifics, I appreciate the way this theme is woven throughout the narrative. The film’s approach to the supernatural is commendable, though the execution can feel inconsistent at times. The tension builds effectively when the supernatural is merely suggested; however, once it manifests in tangible form, the film occasionally veers into the realm of the absurd.
The screenplay by Elric Kane reflects a deep understanding of the horror genre, a testament to his extensive experience in the film industry. As the host of Fangoria?s official podcast, along with his connection to the New Beverly theater?Quentin Tarantino’s esteemed venue?Kane’s insights are evident. However, the film’s internal logic and rules sometimes feel murky. There are moments where physical contact seems permissible, yet other instances introduce major inconsistencies. A coherent understanding of the horror’s parameters is essential; otherwise, the audience is left without a genuine sense of fear. The lack of clear consequences for actions can diminish tension and suspense, leaving viewers wanting more.
The Dead Thing offers a captivating mystery that takes viewers on an unpredictable journey. Just when one thinks they have the plot figured out, unexpected twists keep the narrative fresh and engaging. The story unfolds in a compelling manner, evolving seamlessly as it shifts directions. Despite the intriguing premise, some supernatural elements may come off as overly cheesy at times. Additionally, the film’s underlying message can feel somewhat obscured, although it ultimately finds its way back to the forefront. For enthusiasts of melancholic love stories, this film provides a unique narrative worth exploring.
THE DEAD THING WILL BE AVAILABLE FOR STREAMING EXCLUSIVELY ON SHUDDER STARTING ON FEBRUARY 14TH, 2025.
