Flemming Rasmussen, the producer who labored on a many of Metallica’s albums in the 1980s, has a principle on why the bass was turned down on …And Justice for All. 

Rasmussen 1st labored with Metallica on their sophomore album Trip the Lightning, and the band worked with him once again on Master of Puppets and …And Justice for All. The latter is recognised for possessing an infamously reduce bass volume to the position in which it definitely is hardly ever audible at all.

Metallica brought Jason Newsted in as their new bassist in October of 1986, just a month following the dying of Cliff Burton. Newsted has admitted in interviews that he “was fucking livid” the really very first time he heard the completed version of their 1988 album — his initial with the group — because of how compact the bass was.

Rasmussen has touched on the record’s bass quantity in the earlier, but in a contemporary YouTube interview with Daniel Sarkissian, he shared a notion as to why he assumed James Hetfield and Lars Ulrich necessary the bass to almost audio absent.

“I assume — but this is purely speculation — I consider that they did it to get some kind of reaction from Jason. For the reason that what they hated the most about Jason was that he was a admirer,” the producer pointed out.

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“He was by no means disagreeing or just about anything, or stating his personal belief. I think they were ready for him to form of point out his location in the band… I consider they probably did it to get a reaction, and when it didn’t occur, that was the way the album turned out.”

Rasmussen recalled that Newsted just acknowledged the album the way it was, most probably simply because he was just thrilled to be a member of Metallica.

Look at the whole clip underneath.

Metallica Producer Has a Theory on Why the Bass Was Turned Down on ‘…And Justice For All’

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