What is the most treasured item that Henry Rollins would save in the event of a fire threatening his vast collection of music and memorabilia? This iconic punk rock musician, who has transformed into a guardian of music history, revealed to Full Metal Jackie that the most personal piece in his collection holds immense sentimental value. He explained why this particular item would be the first on his list to rescue should his cherished collection ever be in jeopardy.

During his appearance on Full Metal Jackie’s weekend show, Rollins discussed the latest installment of his Stay Fanatic book series. This volume chronicles his enduring passion for collecting music memorabilia and the stories behind it. In the conversation, he reflected on the origins of his collecting journey, how writing has become his primary mode of expression, and his perspective on the current presentation of vinyl records to today’s music enthusiasts.

Henry also talked about his role as a radio host, sharing insights about a new band that has caught his interest. After a multifaceted career as a musician, activist, spoken word artist, actor, radio host, author, and collector, Rollins expressed one aspiration he still hopes to pursue in the future.

For more insights from the interview, check out the conversation below.

Welcome back to Full Metal Jackie! This week, I’m thrilled to have Henry Rollins, an accomplished author, musician, actor, and activist, joining us. It’s great to have you back, especially with the release of the fourth volume of your Stay Fanatic series, titled Lessons in Possession and Confessions of Obsession.

Henry, your foresight in preserving music memorabilia over the years is commendable. Can you share when your passion for collecting started and some of the first pieces that ignited this obsession?

I distinctly remember the moment I became captivated by collecting music memorabilia. My close friend Ian McKaye, known for his roles in Fugazi and Minor Threat, and I were busy putting up flyers for his first band, The Teen Idols Idle. Armed with just our parents’ Scotch tape, we tackled the streets of Washington, D.C.. However, after a few blocks, we discovered that someone had maliciously torn down our flyers, crumpling them and discarding them, almost as if to deny the band’s existence.

This incident infuriated me, and I resolved to keep duplicates of everything because I wanted to preserve what I believed was an incredible moment in music history. I soon found myself appreciating the artistry of flyers and record covers. Back then, punk rock was about the hustle; a single hour of minimum wage could buy you an import 7-inch vinyl from England, which made those records feel invaluable.

As a result, I started to handle my records with care. I would collect flyers, test pressings, and anything related to the vibrant music scene around me. It was a DIY culture; we would gather with friends, listening to music, cutting, and pasting to create our own picture sleeves for records. This hands-on experience fostered a deep appreciation for the music scene and all its accompanying artistry, which I found visually exciting.

Henry, you mentioned the early flyers and vinyl that shaped your experience. Can you elaborate on how you evolved into the dedicated collector you are today?

As I transitioned into a touring musician, I would return from Europe with stunning posters made by venues for our shows. I would come back with a massive tube filled with these posters, and when my bandmates questioned why I kept them, I would respond, “It’s history.” The aesthetic appeal of these artifacts was undeniable.

Then came the advent of eBay, which opened up a treasure trove of vintage posters from my favorite bands, some dating back decades. This led to an ever-growing obsession with collecting ticket stubs, set lists, flyers, and even the T-shirts worn on stage. Over more than 40 years, my collection expanded significantly.

I felt compelled to document these items so others could appreciate them as well. I wanted to create a format that allowed me to share my experiences, so I sought out a friend who worked at the Smithsonian to help me with the technical aspects of archiving my collection. She flew out to assist me in setting up a scanner, teaching me how to effectively preserve the metadata associated with my collection. Since then, my archives have been meticulously maintained in a climate-controlled environment, housing thousands of records, contracts, tickets, and more. I work tirelessly to protect these artifacts from damage, whether from flooding or pests, which unfortunately happens more frequently than one might think.

This dedication to archiving and documenting has led to my writing projects, where I can share my passion for collecting and the stories behind the items that shaped my journey.

Rollins Band, “Ghost Rider”

Henry, although your identity as a recording artist has somewhat receded, your writing remains robust. What draws you to writing as your primary form of expression, and what makes it fulfilling for you?

For me, writing feels like an unstoppable force, akin to a virus I cannot shake off. If I could stop writing, I would, but the reality is that I find myself unable to resist it. That might be a positive thing. I write every single day without exception because I maintain a journal. So even on days when I’m busy, I still find the time to document my thoughts and experiences.

Years ago, I woke up in Los Angeles and realized that my passion for music had dwindled. It was as if a switch had flipped, and I no longer felt the urge to write lyrics. Instead, my thoughts shifted towards op-eds, essays, journal entries, and research projects. I communicated this shift to my manager, who was understandably shocked at the prospect of losing my musical career. I also informed my bandmates, and they promptly sought other opportunities.

READ MORE: Henry Rollins Explains Why He’s Done Making Music

In the absence of music, I filled my schedule with acting gigs, solo tours, and writing projects. Music, for me, represented a specific time and place in my life. Once that chapter closed, I no longer identified as a musician. I strive to keep myself engaged, and writing has become my daily routine, akin to a 9-to-5 job when I’m not on the road.

Having recently completed a two-year tour that included 261 shows across 28 countries, I continue to write every single day. Now that I’m off the road, I channel my energy into writing, whether it be books, forewords for others, or liner notes for albums. I immerse myself in various writing projects daily, further fueling my passion for expression.

Henry, as a custodian of music history, you’ve painstakingly acquired numerous test pressings and memorabilia over the years. Among these treasures, what stands out as the crown jewel of your collection?

The item that holds the most significance for me is incredibly meaningful. Over the years, I’ve been fortunate enough to acquire many impressive pieces. Recently, I’ve noticed that fellow collectors from my generation are beginning to part with their collections after decades of passion. They reach out to me, offering to sell their treasures, and I’m eager to take advantage of the opportunity to add to my collection. I assure them that I will never sell any of it, preserving the integrity of their efforts.

One particularly cherished item is a sleeve from the first Minor Threat EP, which was released in four different colored versions. I once asked Ian about the second pressing sleeve, which I needed to complete my collection. He graciously offered me one, stating it belonged to his mother, whom we all miss dearly. When he said, “You love my mom,” it added an emotional weight to the gift. If my place were to catch fire, that would be the item I would prioritize saving due to its profound sentimental value and the bond it represents.

Henry, we’ve all experienced a remarkable era of music. While the resurgence of vinyl has rekindled some nostalgia, do you believe the current music release landscape fosters a collector’s mindset? What changes would you like to see?

Today, it seems that the vinyl industry has been designed to nurture new collectors. In my youth, there were records that were exclusive to DJs, available at record stores for a slightly higher price. It was exhilarating to own something that was initially only accessible to the industry. Now, artists like Taylor Swift release limited editions of records, creating a sense of urgency that drives consumers to purchase before they sell out.

However, I hope that those enthusiastic buyers actually have record players. Sometimes I fear that the industry is prioritizing consumerism over the actual enjoyment of music. Collecting should be about the love of sound, not just acquiring items for the sake of ownership.

The motivation behind seeking a specific pressing of Led Zeppelin II lies in the superior sound quality that distinguishes it from other versions. Collectors are driven by the desire for a better auditory experience, which is a beautiful aspect of this hobby. However, when bands offer multiple color variants, it can feel exploitative, as if they are capitalizing on their fans’ loyalty.

My journey as a record collector began with a genuine passion for music that transformed my life, leading to a fascination with the inner workings of the music industry, including promotional materials, and posters. Understanding the mechanics of how records were marketed and presented has always intrigued me.

Henry, reflecting on your earlier experiences, what is your perspective on the current state of the vinyl and music business?

Currently, I perceive some record labels as almost predatory, exploiting fans’ enthusiasm for profit. There are dedicated fans who work hard to earn a modest income, yet they are sold multiple versions of a single record, which can feel excessive and disheartening. This commodification of music often compromises the integrity of the art itself.

As Leonard Cohen once told me, “Henry, your struggle and your life will be about balancing art and commerce.” His words resonated with me, especially as I navigate my career. There is a resurgence in vinyl collecting, but many industry insiders caution that it may be a bubble, leading to oversaturation and ultimately disappointing fans who realize they’ve been sold items they never played.

I hope that when fans visit record stores on events like Record Store Day, they genuinely intend to enjoy and listen to the vinyl they purchase. The experience of vinyl is unique, offering a sonic richness that stands in stark contrast to the digital experience. Even listeners with rudimentary auditory skills can discern the difference; analog sound offers a sense of reality that digital simply cannot replicate.

Henry, you’ve mentioned your middle-class upbringing and how it intersects with your punk ethos. How has this background influenced your work ethic and the person you’ve become?

My upbringing has profoundly shaped my values. While fame and recognition have come my way, I prioritize remaining grounded and focused on my craft. The distractions of fame can often hinder artistic expression, so I strive to keep my life simple.

I prefer shopping at budget-friendly stores, driving an economical car, and eating wholesome, uncomplicated meals. My lifestyle reflects my middle-class roots, where stability was a priority. I was fortunate not to experience significant hardships, which helped me stay connected to reality.

The punk rock scene I grew up in was fundamentally inclusive and egalitarian. Gender or sexual orientation didn’t dictate a person’s worth in our community. This environment fostered my political beliefs and continues to influence how I navigate my life.

Henry, your role as a radio host is equally impressive. It’s always a pleasure to explore the music you’re passionate about on your KCRW show. Who are some newer bands that have recently caught your attention?

One standout band from Washington, D.C., is Ekko Astral, who describe themselves as the “lipstick mosh pit band.” Their album Pink Balloons is quickly becoming one of my favorites this year. Their music features compelling activist themes in their lyrics.

After receiving a recommendation from a friend, I checked them out on Bandcamp and was immediately impressed, leading me to purchase their album. I reached out to the singer to express my interest in featuring their music on my show, emphasizing the importance of staying connected with emerging artists. It’s essential for me to remain engaged with the evolving music scene, as I want to promote these artists as they develop their careers.

Ekko Astral, “Baethoven”

I’ve even helped several bands sign with labels, only to find out later that their albums had already been released without my knowledge. I understand the generational gap; it’s a reality that I’m aware of, and I strive to stay proactive in discovering new music. I find immense joy in uncovering great records and sharing them with my audience.

Henry, you’ve shared how you find new music and what influences your radio show. Where can listeners learn more about your music selections and upcoming shows?

Listeners can access my show for free at kcrw.com where they can also find archives of past episodes. Additionally, my website, henryrollins.com, features show notes detailing what I’ll be playing each week. I post these notes a few hours before the broadcast, allowing fans to know what to expect and explore the music that piques their interest.

Many of the bands featured on my show are still in the early stages of their careers, often touring in vans and playing in small venues. I hope to use my platform to help them reach a wider audience. The best feedback I receive is when bands tell me that people came to their shows after hearing them on my program. That’s why I believe in the importance of my radio show; it amplifies the voices of deserving artists.

When people commend my show, I always remind them that it’s not just about me—it’s about celebrating the incredible music and artists out there. My role is to curate and share this talent with my audience.

What originally sparked your desire to have your own radio show?

The film American Graffiti had a profound impact on me during its initial release. My mother took me to see it, and I was enchanted by the soundtrack filled with 50s music. The character of Wolfman Jack, with his charismatic voice and presence, captured my imagination. I aspired to be a voice that connects with listeners through music.

Listening to the radio as a lonely child provided me with a sense of companionship. The DJs became my imaginary friends, introducing me to the music that shaped my youth. I hope to embody that same spirit for my audience, playing great music and sharing my enthusiasm for it.

Wolfman Jack Scene in American Graffiti

With your extensive achievements across various entertainment forms, is there still a project or endeavor you dream of pursuing if time allows?

One aspiration I hold is to delve into the world of museum curation. I envision playing a role in preserving and archiving music history. Although my academic background is limited, I would relish the opportunity to contribute to a museum, even if it means starting with menial tasks. This desire stems from my passion for collecting and preserving artifacts that tell the story of music.

While I continue to enjoy performing on stage, it no longer holds the same novelty for me. I’ve explored various forms of media, including television, film, and writing. Having authored over 30 books and traveled to nearly 87 countries, I find fulfillment in sharing my experiences and insights through writing.

Inspired by my mother, who volunteered at the National Gallery in D.C., I feel a deep connection to the idea of sharing knowledge about art and history. Her ability to lead tours from memory sparked my desire to engage with the community in a similar way.

I must say, working alongside you at Indie 103.1 was truly a memorable experience. I miss our regular catch-ups.

That station felt like a unique moment in time, full of fun and creativity. It was a special experience.

One day, I randomly visited the station, and Steve Jones invited me on-air during his show. That spontaneous moment became a defining memory, and Michael Steele dubbed me Full Metal Jackie, a name that stuck. What an honor to be named by a member of the Sex Pistols!

Oh, absolutely. That name carries a perfect legacy for a radio show.

Thanks to Henry Rollins for this enlightening interview. You can keep up with all of Henry’s projects through his website. ‘Stay Fanatic, Vol 4’ is currently available there, and you can follow Henry on Facebook, X, and Instagram. Discover where to listen to Full Metal Jackie’s weekend radio show here.