Chad I Ginsburg of CKY has publicly addressed the escalating tension that has resulted in Alien Ant Farm’s Dryden Mitchell announcing CKY’s removal from their shared U.K. tour. This unexpected turn of events has sent shockwaves through the rock community, highlighting the challenges that can arise when multiple bands collaborate on a tour.

Just hours prior to the highly anticipated tour launch at Margate’s Dreamland on November 9, Alien Ant Farm’s frontman, Dryden Mitchell, publicly declared CKY’s removal from the tour lineup. This announcement stemmed from an alleged physical confrontation, where Mitchell accused Ginsburg of mistreating several crew members and opening band members. The situation escalated, resulting in an allegation that Ginsburg punched Mitchell in the face, creating significant tension and drama surrounding the tour.

On November 9, Mitchell took to social media to express his frustrations, stating, “Chad from CKY hasn’t figured out how to cohabitate with others after all these years.” His comments sparked further debate among fans and industry insiders alike, highlighting the challenges of interpersonal dynamics within the touring music scene.

In his statements, Mitchell noted, “They will no longer be on the Alien Ant Farm Tour through the rest of the UK shows after Chad punched me in the face earlier today.” He elaborated that he had witnessed Ginsburg treating crew members and fellow performers poorly throughout the European leg of the tour, contributing to an atmosphere of animosity and tension that ultimately necessitated their removal from the tour.

Continuing his commentary, Mitchell explained, “Today we still had business things to square away, and I told his manager what a problem Chad was being, verbally, as well as messing up the bus each day for others to clean up… Well, he punched me in the face and pretty much ran away, which is how I imagine he’ll handle all future problems.” This statement shed light on the broader struggles artists face while on tour, emphasizing the importance of professionalism and respect in collaborative settings.

Mitchell expressed a desire for the tour to continue smoothly, apologizing to CKY fans for Ginsburg’s conduct. He stated, “We have zero hard feelings for Jess and Elvis in CKY and are gutted to see them go, but I will never knowingly put myself in volatile situations, so this had to end.” This sentiment reflects a commitment to maintaining a positive atmosphere for all artists involved, even amid conflict.

Mitchell wrapped up his lengthy post by suggesting that if Ginsburg were to seek therapy, “maybe in 25 years… we can shake hands.” Following this incident, CKY’s spot on the U.K. tour has been filled by other bands, including INME, Rat’s Nest, The Fear, and The Nocturnal Affair, indicating a shift in the tour’s lineup and dynamics.

In response to the allegations, Ginsburg delivered a strong rebuttal, instructing fans to seek refunds for their tickets: “U.K. CKY fans, get your money back!!! I had NO choice and GOOD reason for what happened. I will always defend myself. You know me much better than that!” His emphatic statement underscores the emotional toll such public disputes can have on artists and their fanbase.

Ginsburg further elaborated, “More info to come. Apologies to the fans.” This comment indicates a willingness to address the situation more thoroughly in the near future, potentially easing tensions among fans and supporters of both bands.

Ginsburg has since taken to social media once again to provide his perspective on the incident, characterizing it as an act of “self-defense.” In a series of Instagram stories, he stated, “Nothing wrong with defending yourself from a bad guy. If you are attacked or feel truly threatened, have no fear and stop the threat however you can.” This narrative introduces a different angle to the ongoing discourse about conflict resolution in the music industry.

He continued by saying, “I had to protect myself. It was a split-second reaction to a very angry guy muttering then yelling #*%! at me from 10ft away, charging at ME, into my personal space! Coming at me. He was attacking me! I felt a physical threat, and had I not tried to avoid the attack, I would have been assaulted. For f—- sake.” This account emphasizes the intense emotional experiences artists navigate during tours, where personal safety can sometimes become a concern.

Ginsburg further expressed, “I could say so much more. But the situation sucks for all! I’d like to stop. Rather not get all into all. It’s no one’s biz. This is not news. As unfortunate as the situation is all together.” This statement reflects the complexity of public disputes in the entertainment industry, where personal matters often become public discourse.

Meanwhile, Alien Ant Farm is proceeding with the rest of their tour, while CKY fans remain hopeful for future performances from their favorite band. Both groups are scheduled to appear at Download 2025, although it remains uncertain whether they will share the stage on the same day, which could lead to further interactions between the two bands.

Despite the unfolding drama, CKY’s upcoming Australian tour, scheduled for February, is reportedly still on track, according to announcements from promoters. This news provides some reassurance for fans eager to see their favorite bands perform live amidst the controversy.

Promoters The Phoenix released a statement on November 10, acknowledging the altercation between a member of Alien Ant Farm and CKY’s Ginsburg. “We have spoken at length with the representatives of both artists this morning. At this point, it is best to let tempers cool and believe a solution or compromise can be found in the next few days, allowing the shows (all of which are selling out rapidly) to proceed as planned.” This statement reflects the complexity of managing tour logistics amidst interpersonal conflicts.

The Phoenix also responded to concerns that the incident would impact the Australian tour, emphasizing, “We are working with both bands to calm things down and keep the tour intact. In the words of The Offspring, we may have to keep them separated…” This light-hearted remark underscores the challenges promoters face in ensuring a smooth touring experience for all involved.