The 1980s presented a tumultuous landscape for the former Beatles, characterized by remarkable achievements juxtaposed with tragic setbacks. The decade kicked off with a devastating blow as John Lennon achieved his first U.K. No. 1 album in nearly a decade only to be tragically murdered by an obsessed fan. Meanwhile, Paul McCartney faced criticism for what many consider his weakest album, yet he rebounded later in the decade through a fruitful songwriting collaboration with Elvis Costello.

George Harrison also navigated his share of highs and lows during this vibrant decade. After the underwhelming performance of his 1982 album, Gone Troppo, he took a hiatus from music, only to return with a string of successful platinum albums both as a solo artist and as part of the supergroup Traveling Wilburys. Ringo Starr, initially dropped by his record label, found new purpose by getting sober and establishing his long-lasting All-Starr Band towards the end of the decade.

READ MORE: Discover the Best of John Lennon’s ’70s Hits

Tragically, Lennon did not live to release a planned sequel to his acclaimed 1980 album, Double Fantasy. His widow, Yoko Ono, completed the project with 1984’s Milk and Honey, which included contributions to various archival releases like Live in New York City and Menlove Ave from 1986. In his absence, a few partial reunions occurred, like “Take It Away” featuring McCartney, Starr, and producer George Martin, along with “When We Was Fab” (featuring Harrison and Starr) and the poignant “All Those Years Ago,” showcasing Harrison, McCartney, and Starr.

Nevertheless, the most notable group to emerge from this era was the star-studded ensemble led by Harrison. His resurgence was notably aided by a collaboration with Jeff Lynne, known for his work with the Electric Light Orchestra, who co-produced Harrison’s comeback album, 1987’s Cloud Nine. This album featured an incredible lineup of the Traveling Wilburys, which included legendary artists like Bob Dylan, Roy Orbison, and Tom Petty.

Despite facing unimaginable tragedy and significant artistic missteps, these former bandmates managed to achieve a commendable array of successes throughout the decade. We invite you to explore the standout moments in their careers with our curated list of the Top 20 Solo Beatles Songs from the ’80s:

No. 20. “Stranglehold,” by Paul McCartney
From: Press to Play (1986)

Opening the somewhat mechanized Press to Play with the lead track “Stranglehold,” Paul McCartney delivered a powerful performance that should have dispelled any notions of false advertising. This track showcases a captivating groove, with McCartney delivering the lyrics with a vibrant intensity reminiscent of his earlier anthems, almost reaching the heights of “Jet.” Despite occasional detours into Fairlight synth territory, “Stranglehold” remains a standout moment in an album where McCartney began to rediscover his musical essence, paving the way for his later work on Choba B CCCP.

No. 19. “Wreck of the Hesperus,” by George Harrison
From: Cloud Nine (1987)

The title of this sharp, cheeky rocker, drawn from a poem by Henry Wadsworth Longfellow, became a common British term for someone looking disheveled. This clever title allows George Harrison to humorously acknowledge his status as a veteran rocker, with lines like, “I’m not the wreck of the Hesperus; I feel more like the Wall of China, getting old as Methuselah.” Featuring Ringo Starr on drums, the track exudes a sense of lighthearted self-reflection that showcases Harrison’s wit.

No. 18. “Not Such a Bad Boy,” by Paul McCartney
From: Give My Regards to Broadstreet (1984)

On an album considered one of the low points of both the decade and McCartney‘s career, “Not Such a Bad Boy” emerged as a refreshing surprise. At this juncture, McCartney had not released a rock song since the dissolution of Wings, and this powerful track about a reformed rebel showcases what was lost during that time. It was a thrilling return to form that wouldn’t be fully realized again until the release of Run Devil Run, marking a significant moment in his solo career.

No. 17. “Unknown Delight,” by George Harrison
From: Gone Troppo (1983)

This album, featuring contemporary synths, also delves into deeply emotional themes as Harrison reflects on the desire to reconnect with simpler times after experiencing disappointment. “Unknown Delight,” a heartfelt tribute to his son Dhani, stands out as a charming triumph on an album that, while up-tempo, feels somewhat dated. It captures the essence of Harrison‘s longing for authenticity and connection in a world that often feels overwhelming.

No. 16. “One of These Days,” by Paul McCartney
From: McCartney II (1980)

Unsurprisingly, one of the most compelling tracks on this experimental album features McCartney wielding an acoustic guitar. While he layers his vocals and employs unusual synthesizers, “One of These Days” resonates with a quiet yet impactful effectiveness. The phrase “quietly effective” may seem like an understatement, but in the context of the ’80s, especially on an album where McCartney focused heavily on home recordings and new technology, it represents a significant achievement.

No. 15. “This Is Love,” by George Harrison
From: Cloud Nine (1987)

While “Got My Mind Set on You” became a chart-topping hit and “When We Was Fab” won hearts with its nostalgic sentiment, “This Is Love” features one of Harrison‘s most heartfelt performances. The infectious quality of the song can be attributed to Jeff Lynne, whose influence as a co-producer and backing vocalist is evident. Lynne’s contribution, along with his co-writing efforts, helped shape “This Is Love” into a standout track that encapsulates the essence of Harrison‘s musical brilliance.

No. 14. “I Don’t Wanna Face It,” by John Lennon
From: Milk and Honey (1984)

This poignant track, rich with introspective lyrics, opens with the evocative sound of a tape machine starting up. “I Don’t Wanna Face It” serves as a powerful reminder of the incomplete, posthumous recordings of a musical genius. Despite being a work in progress, this track showcases Lennon‘s ability to blend wisdom with a touch of humor, illustrating that his creative spirit remained vibrant even after a five-year hiatus.

No. 7. “Figure of Eight,” by Paul McCartney
From: Flowers in the Dirt (1989)

This track encapsulates a quintessential McCartney theme, emphasizing the importance of love over hate. Recorded live, the energy is palpable in his raw and emotive vocal delivery. However, co-producers Trevor Horn and Steve Lipson continued to modify the track in a bid to modernize its sound, which left McCartney feeling somewhat dissatisfied with the final product. It’s unfortunate because “Figure of Eight” represents a reawakening of his signature hit-making style that had defined his earlier successes.

No. 13. “That’s What It Takes,” by George Harrison
From: Cloud Nine (1987)

Cowritten with Jeff Lynne and Gary Wright, “That’s What It Takes” evokes the sound of a perfect mid-’70s hit that Harrison never fully achieved. Collaborators like Wright, who had previously worked with Harrison since All Things Must Pass, and Eric Clapton, who delivers a stunning guitar solo, contribute to the song’s nostalgic feel. While Lynne‘s late-’80s polish is present, it doesn’t overshadow the throwback vibe that makes this track resonate with fans.

No. 12. “I’m Losing You,” by John Lennon
From: Double Fantasy (1980)

Although Double Fantasy had its share of lighter moments, “I’m Losing You” stood out with its gritty energy. Lennon captured the essence of his struggle between domestic life and artistic expression, showcasing a familiar rawness in his voice. The track hints at his impending transition into a quieter lifestyle, while still containing the rebellious spirit that defined his earlier works, making it a standout in his discography.

No. 11. “Got My Mind Set On You,” by George Harrison
From: Cloud Nine (1987)

George Harrison first discovered the original version of “Got My Mind Set On You” during a record shop visit in Illinois back in 1963, long before the Beatles took the world by storm. After decades, he returned to this classic, and his timing was impeccable. The song, buoyed by an infectious drum sample from Jim Keltner, became a massive hit, marking Harrison’s third No. 1 single just as the Beatles were being inducted into the Rock & Roll Hall of Fame.

No. 10. “Nobody Told Me,” by John Lennon
From: Milk and Honey (1984)

<pLennon‘s lyrical wit shines through in “Nobody Told Me,” which reflects his characteristic sharpness from the late Beatles era. The single surged into the Top 20, serving as a bittersweet reminder of his absence following his tragic murder. Yoko Ono worked diligently to finish Milk and Honey, maintaining the shared sequencing of songs that Lennon had envisioned. The demo of “Grow Old Along With Me” included in the album further emphasizes the profound loss felt by those who loved him.

No. 9. “You Want Her Too,” by Paul McCartney
From: Flowers in the Dirt (1989)

Seeking to break free from the disappointments of the ’80s, McCartney found a refreshing partnership with Elvis Costello, who helped restore his credibility and chart presence. Their duet, “You Want Her Too,” showcases clever lyrics and dynamic vocals, reminiscent of earlier Beatles classics while retaining a fresh edge. The track culminates in a humorous big-band finale, demonstrating that McCartney was back in form, ready to reclaim his place in the music world.

No. 8. “Beautiful Boy (Darling Boy),” by John Lennon
From: Double Fantasy (1980)

This touching tribute to Lennon‘s son, Sean, was conceived long before the recording sessions for Double Fantasy began. The song reflects the joy of fatherhood during a transformative period in his life, with some lyrics becoming even more poignant after his untimely death. One of the most memorable lines, “Life is what happens to you while you’re busy making other plans,” resonates deeply, capturing the bittersweet essence of his legacy.

No. 7. “When We Was Fab,” by George Harrison
From: Cloud Nine (1987)

This playful homage to the Beatles’ psychedelic era allowed Jeff Lynne to unleash a whirlwind of innovative production techniques, incorporating strings, backward tapes, and a sitar. The charming music video featured Starr and a left-handed bassist in a walrus costume, creating a whimsical atmosphere. The track not only serves as a fun reflection of the past but also evokes a sense of nostalgia, making it a memorable piece in Harrison‘s catalog.

No. 6. “Watching the Wheels,” by John Lennon
From: Double Fantasy (1980)

Ironically titled after the original working title “Emotional Wreck,” “Watching the Wheels” captures Lennon‘s perspective on stepping back from the relentless demands of the music industry. This laid-back anthem, featuring dulcimer played by a street performer, reflects his desire for a simpler life, contrasting sharply with the pressures of fame. The song stands as a testament to his spirit of rebellion against the status quo.

No. 5. “Handle With Care,” by George Harrison
From: The Traveling Wilburys’ Vol. 1 (1988)

This iconic hit about resilience began as a throwaway B-side before transforming into a cornerstone of rock history. Harrison enlisted Jeff Lynne and Roy Orbison to help craft the song, and the collaboration birthed one of the most celebrated supergroups in music. The decision to release “Handle With Care” as a lead single proved to be a fortuitous choice, allowing fans to enjoy the magic of the Traveling Wilburys.

No. 4. “Take It Away,” by Paul McCartney
From: Tug of War (1982)

Heralded as a partial Beatles reunion moment, “Take It Away” showcases McCartney‘s signature pop craftsmanship with its intricate basslines and vibrant horn arrangements. The song’s compelling narrative and layered background vocals, influenced by Eric Stewart, embody the essence of McCartney‘s hit-making prowess. Ending with a soaring vocal loop, “Take It Away” beautifully encapsulates the spirit of the era.

No. 3. “Woman,” by John Lennon
From: Double Fantasy (1980)

This track stands out for its nostalgic return to the pop sensibilities of Lennon‘s Beatles days. “Woman,” his first posthumous single, showcases his unparalleled songwriting talent and emotional depth. While recording, Lennon expressed his awareness of the song’s significance, remarking, “I feel like I’m still in the f—ing Beatles with this track,” highlighting his connection to his past while creating something profoundly new.

No. 2. “All Those Years Ago,” by George Harrison
From: Somewhere in England (1981)

In response to Lennon‘s tragic death, Harrison crafted this poignant requiem that features contributions from McCartney, Starr, and producer George Martin, marking a rare Beatles collaboration. Under pressure from his label, Harrison delivered a late-session replacement that became a No. 2 hit, capturing the essence of nostalgia and loss that resonated deeply with fans, almost compensating for the lesser material on Somewhere in England.

No. 1. “(Just Like) Starting Over,” by John Lennon
From: Double Fantasy (1980)

With “(Just Like) Starting Over,” Lennon achieved remarkable success by weaving together fragments of song ideas, reminiscent of his earlier masterpieces. Released shortly before his tragic death, this track exudes a nostalgic ’50s vibe that reflects his joy in the creative process. Lennon expressed his desire for the song to blend the styles of Elvis Presley and Gene Vincent, showcasing his playful spirit and love for music that resonated with many before his life was cut short.