The transformative decade of the ’70s marked a pivotal time for Genesis, characterized by significant changes within the band?s lineup and musical direction. Their journey began with the release of the 1970 album Trespass, which also served as the final album featuring co-founder Anthony Phillips. This shift set the stage for the dynamic evolution of the band’s sound and artistic vision as they embraced new influences and explored innovative musical landscapes.

In 1971, the introduction of Phil Collins and Steve Hackett on the albums Nursery Cryme and Foxtrot would prove to be a turning point, bringing fresh ideas and energy to the group. Collins? distinctive voice and Hackett?s innovative guitar work would leave an indelible mark on Genesis, even though Hackett?s time with the band was relatively brief. The 1973 concept album The Lamb Lies Down on Broadway followed Selling England by the Pound, and it was notable for being the last album with original frontman Peter Gabriel, who would soon embark on a successful solo career.

Genesis released two more albums in 1976, A Trick of the Tail and Wind & Wuthering, marking the conclusion of the Hackett era. By the release of the aptly titled And Then There Were Three in 1978, the lineup had been streamlined to just Collins, Tony Banks, and Mike Rutherford. This trio began to redefine the band’s musical style, paving the way for their rise to superstardom in the late ’70s and beyond. Their transition included achieving four consecutive gold-selling albums, with And Then There Were Three becoming their first platinum success in the U.S., reflecting their widespread appeal and growing fanbase.

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The constant shifts in the band?s lineup fostered a rich tapestry of creativity and diverse perspectives, significantly influencing the music, lyrics, and production. The arrivals and departures of different members brought new ideas and sounds, which can be felt throughout their evolving catalog. Here’s a retrospective look at some of Genesis’ most remarkable songs from the vibrant ’70s era:

No. 10. “Ripples”
From: A Trick of the Tail (1976)

“Ripples” marks a significant moment in Genesis? evolution as it reflects Phil Collins’ emergence as a leading force within the band. With A Trick of the Tail achieving their highest-ever UK chart finish at No. 3 and entering the U.S. Top 40 for the first time, Genesis began shedding their progressive rock pretensions. This song serves as a perfect bridge between their earlier sound and the more accessible style they would embrace. Collins’ emotive vocals, which fluctuate between sadness and soaring highs, are layered over a complex musical arrangement that begins with a delicate 12-string guitar riff from Rutherford and transitions into an elegant piano-driven section crafted by Banks.

No. 9. “The Knife”
From: Trespass (1970)

Despite Trespass not receiving extensive critical reevaluation, its standout track “The Knife” showcases the band’s evolution following rigorous touring. The intense live performances allowed Genesis to carve out a unique sound distinct from the commercial approach of their original producer, Jonathan King. This song encapsulates the essence of a band discovering its identity, with powerful instrumentation and a palpable energy that emerged from their relentless efforts on the road. “The Knife” encapsulates Genesis’ early experimentation, setting the stage for their subsequent musical breakthroughs.

No. 8. “Dancing with the Moonlit Knight”
From: Selling England by the Pound (1973)

“Dancing with the Moonlit Knight,” a vibrant track from the album that peaked at No. 3 in the UK and achieved gold status in the U.S., exemplifies the band?s artistic peak during this era. The song transitions from delicate acapella harmonies into a powerful rock anthem, showcasing the band?s versatility. Hackett?s innovative guitar techniques, including his unique tapping method and sweep-picking style, added depth to the already rich sound. Hackett recalled employing a technique similar to a violinist’s bowing, creating an intricate musical tapestry that reflects the band’s ability to blend classical influences with rock.

No. 7. “The Lamb Lies Down on Broadway”
From: The Lamb Lies Down on Broadway (1974)

The title track from the concept album embodies a narrative full of contradictions, mysteries, and vivid imagery, following the journey of Rael, a half-Puerto Rican street tough navigating a chaotic New York City. Despite its complex themes and surreal storytelling, the song captures a compelling groove that makes it accessible. “The Lamb Lies Down on Broadway” exemplifies why this album became one of the most musically engaging of the Gabriel era, showcasing Genesis’ ability to combine intricate storytelling with captivating melodies.

No. 6. “Deep in the Motherlode”
From: And Then There Were Three (1978)

<p"Deep in the Motherlode," a track written by Rutherford, showcases a keyboard-driven theme that places Banks in a prominent role. Collins shines during the reflective middle section, providing a poignant narrative about the pursuit of fame and fortune against the backdrop of the American West's gold rush. The song climaxes with a powerful admonition to "Go West, young man," a phrase often attributed to the newspaper editor Horace Greeley. This track serves as a metaphor for Genesis' own quest for commercial success and recognition in the music industry, establishing their identity as a band poised for greatness.

No. 5. “Carpet Crawlers”
From: The Lamb Lies Down on Broadway (1974)

“Carpet Crawlers,” a track from Genesis? most commercially successful album in the UK, encapsulates the band’s unique blend of whimsical lyrics and profound imagery. The song’s refrain, “we’ve got to get in to get out,” resonates with listeners on an emotional level. Gabriel’s layered vocals hint at the darker, more complex themes that would characterize his solo career. This song, with its ethereal quality, exemplifies the band’s ability to weave intricate narratives and evoke deep emotional responses through their music.

No. 4. “Eleventh Earl of Mar”
From: Wind & Wuthering (1976)

Hackett’s “Eleventh Earl of Mar” serves as a captivating retelling of a historical Scottish uprising, showcasing his distinct style just before his departure from Genesis. The album arrived amidst growing tensions between Hackett and Banks, who were struggling for creative dominance. Hackett had already released his solo debut, Voyage of the Acolyte, to assert his artistic vision amidst the band dynamics. Despite these tensions, Banks received writing credits on six out of nine tracks on Wind & Wuthering, leaving Hackett feeling marginalized and ultimately leading to his exit from the band.

No. 3. “The Musical Box”
From: Nursery Cryme (1971)

The arrival of Collins and Hackett completed Genesis’ iconic lineup, leading to the commercial success of Nursery Cryme, which became their first Top 40 hit in the UK. “The Musical Box,” originally conceived as an instrumental by Phillips, evolved into a powerful collaboration featuring lyrics inspired by a Victorian fairy tale. Hackett’s innovative guitar work, utilizing a newly developed “tapping” technique, brought a fresh sound to the band’s repertoire, influencing countless guitarists in the years to come.

No. 2. “Watcher of the Skies”
From: Foxtrot (1972)

“Watcher of the Skies” represents a significant milestone in Genesis’ evolution, heralding their first great album and a series of collaborative breakthroughs. This track successfully melds the playful elements of their early music with a newfound rock robustness and ambition. Hackett’s guitar work shines, complemented by Banks? distinctive Mellotron sounds, which later inspired the creation of a preset named “Watcher Mix.” This song set the stage for their ambitious and sometimes grandiose progressive rock projects that followed, solidifying their status in the genre.

No. 1. “Firth of Fifth”
From: Selling England by the Pound (1973)

“Firth of Fifth” features one of Hackett?s most memorable guitar interludes and showcases a rhythmically intricate composition by Banks. The track beautifully weaves together diverse musical influences, including folk, church music, blues, and even Asian motifs, creating a rich tapestry of sound. Hackett’s evocative guitar solos echo Gabriel’s flute melody, building a stirring narrative that defies traditional rock structures. This song remains a highlight of Hackett’s career, showcasing his exceptional talent and the band’s innovative spirit during their creative peak.

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