Top-Grossing Films by Year: 1977 to 2024

Discover the top year-end box-office hits that captivated audiences—how many have you watched?

While most Billboard readers are familiar with the top albums and songs of each year, they may not be as acquainted with the highest-grossing films from each calendar year. Thankfully, boxofficemojo.com provides detailed records of box-office hits dating back to 1977, making it easy to explore cinematic history.

As we examine the list of top-grossing films from each year since Jimmy Carter’s presidency and Elvis Presley’s passing, a clear trend emerges: the overwhelming dominance of sequels and franchises in the film industry. Out of all the year-end box-office champions, only five films were standalone hits that neither belonged to a franchise nor inspired a reboot. These remarkable films are E.T. the Extra-Terrestrial, Who Framed Roger Rabbit, Ghost, Titanic, and Barbie.

The Star Wars franchise leads the pack, with six entries that claimed the title of the year’s highest-grossing film. Following closely is Batman with four films achieving the same feat, while Spider-Man ranks third with three films that topped the box office.

Notably, directors James Cameron and George Lucas share a unique distinction—each has helmed three films that have claimed the year-end box-office crown. In the next tier, Tim Burton, Sam Raimi, Tony Scott, Steven Spielberg, Andrew Stanton, and Robert Zemeckis are tied with two year-end champions each, showcasing their significant contributions to cinema.

Renowned composer John Williams is the standout film scorer, having composed the scores for ten films that achieved year-end box-office success. Close behind are Danny Elfman, Alan Silvestri, and Hans Zimmer, each scoring films that also finished first four times, highlighting their impact on the film music landscape.

Interestingly, Lucas and Williams are the sole director-composer duo to collaborate on three year-end box-office champions. Six additional teams have collaborated on two champions: Spielberg with Williams, Zemeckis with Silvestri, Scott with Faltermeyer, Cameron with Horner, Burton with Elfman, and Stanton with Newman, illustrating the power of creative partnerships in filmmaking.

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Join us as we take a nostalgic journey through the films that have dominated the domestic box office in each calendar year since 1977, a time when Annie graced Broadway, Laverne & Shirley ruled television ratings, and Fleetwood Mac’s Rumours topped the Billboard 200 charts.

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