SPOILER WARNING: This story discusses major plot developments in Season 1, Episode 4 of “The Penguin,” in the meanwhile airing on HBO and streaming on Max.

Cristin Milioti has grown pretty accustomed to the superhero observe and dance. After launching her career in 2011 alongside along with her Tony-nominated operate in “As soon as” and in 2013 as a result of the Mom inside the remaining season of “How I Met Your Mom,” the New Jersey native began making the rounds for the handful of roles accessible to women in comic information variations.

“Oh my God, if there’s somebody round my age in it … I’ve examined for, like, you title it,” the 39-year-old says with a watch fastened roll. “I simply couldn’t get in there — not for lack of attempting.”

So in 2022, when Milioti was approached about having fun with the unhinged mobster Sofia Falcone in “The Penguin” — starring Colin Farrell as Oz Cobb, the operate he originated in Matt Reeves’ 2022 blockbuster “The Batman” — she was understandably cautious of further disappointment. “I used to be attempting to maintain my expectations within the basement,” she tells Selection. “I’d dreamed of enjoying a villain my complete life.”

Not solely did Milioti land the half, nonetheless she’s earned a couple of of her best-ever critiques for her ferocious effectivity as Sofia, who’s launched merely days after being launched from Arkham Asylum, the place she’d spent 10 years for serial murders that earned her the moniker the Hangman. Whereas “The Penguin” has largely tracked Oz’s bid to wrest administration of Gotham Metropolis’s underworld, Sofia takes coronary heart stage in its fourth episode, entitled “Cent’Anni,” which debuted Oct. 13. The current jumps once more to solely sooner than Sofia’s incarceration, and finally reveals the true story behind the Hangman’s crimes — and what occurred to Sofia in Arkham. 

It appears that Sofia’s father, Carmine (Mark Sturdy), is the true Hangman, and one amongst his victims was Sofia’s mother — a revelation Sofia includes after she’s confronted by a dogged reporter with proof that plenty of women who labored in Carmine’s distinctive membership, 44 Beneath, had been all strangled to lack of life. Oz, who in the meanwhile was working as Sofia’s driver, tells Carmine about Sofia’s meeting with the reporter; when Carmine confronts her about it, she begins asking the fallacious questions on how her mother died. 

On a dime, Carmine — who’d merely started to see Sofia as his true heir apparent, comparatively than his ineffectual son, Alberto (Michael Zegen) — prompts his daughter. He has the reporter murdered, crops proof with corrupt Gotham PD officers to frame Sofia for the Hangman murders, and compels the rest of Sofia’s family, other than Alberto, to offer false testimony that Sofia is mentally unwell and dangerous. In a single day, Sofia’s posh and privileged life turns the opposite approach up: After turning right into a tabloid sensation as a serial killer, she’s despatched to Arkham, the place she’s brutalized every by her fellow inmates and the physicians tasked alongside along with her care, no matter her fastened, panicked protestations of her innocence. 

Over the course of the episode, Milioti painstakingly charts not solely Sofia’s descent into madness, nonetheless the best way it transforms her from an innocent (as a minimum, as loads as a result of the daughter of in opposition to the regulation kingpin is perhaps) into the homicidal psychopath that she’d been wrongly accused of being. By the tip of the episode, once more inside the present day, Sofia calmly waits until her family is asleep inside the Carmine mansion, after which pipes carbon monoxide all by means of the house, gassing all of them to lack of life — save her youthful niece and the Falcone underboss, Johnny Viti (Michael Kelly).

Suffice it to say, even alongside along with her standout work in duties identical to the acclaimed 2017 “Black Mirror” installment “USS Callister” and the 2020 sci-fi rom-com “Palm Springs,” “Cent’Anni” provides Milioti with a tour-de-force showcase not like one thing she’s acquired sooner than.

“Selfishly, as an actor, I learn that episode and was like, ‘I can’t imagine I’m going to get to play all this stuff,’” she says. “It’s a full-course meal, and so they don’t come round on a regular basis. I positively felt an unlimited duty — and strain that I placed on myself — of wanting to do that justice.” 

To fulfill that ambition, she collaborated with movement coach Julia Crockett to work out how Sofia’s years in Arkham affected her physique. “She goes from one horrific place again into one other horrific place,” Milioti says, referencing Sofia’s return to her family after leaving Arkham. “What does that do to you when it’s a must to continuously be on guard and might’t have a single second’s breath?”

She moreover wished to grab how Sofia’s look transmutes from quiet luxurious pre-Arkham proper right into a deliberately garish veneer after she’s launched. “The ladies in that household, the one manner they categorical themselves is thru garments and hair and make-up,” Milioti says. “Should you take that manner of studying after which put it by Arkham, how does that come out? I actually wished her hair to be feral, however it may hidden when she was round her household. I wished it to go on this journey of her turning into increasingly more wild.”

Though Sofia’s post-Arkham look does evoke Talia Shire’s effectivity as Connie Corleone in “The Godfather,” Milioti says it wasn’t a conscious choice. “I do keep in mind at one level pondering, ‘Oh, we’ve an analogous updo,’” she says with a chuckle. However she and “The Penguin” showrunner Lauren LeFranc did speak about Sofia’s similarities with a particular character from the cinema primary, Michael Corleone (Al Pacino).

“Michael is that this golden youngster who is healthier at [organized crime] than perhaps he thought he was,” she says. “However that’s totally different from Sofia. Actually, she was the apple of her father’s eye till she wasn’t, however I feel she’s all the time recognized that she could be good at this, even when she had qualms about it. And, clearly, Arkham introduced that out extra.”

The bigger downside for Milioti, nonetheless, was giving herself permission to make the kind of brazen choices referred to as for inside the script. Her co-star Deirdre O’Connell, who performs Oz’s mother, launched Milioti to the apply of watching completely different performances not for inspiration, nonetheless “for braveness” — like Gena Rowlands inside the 1980 crime thriller “Gloria,” whereby she performs a gangster’s ex-girlfriend on the run with a youthful boy.

“I had by no means seen that efficiency,” Milioti says. “That’s not Sofia, however simply watching somebody swing for the fences, simply actually go for it, [helped me] simply be like, ‘OK, have a look at what you are able to do.’”

Milioti moreover credit score Helen Shaver, who directed Episode 4, for fostering an unusually collaborative ambiance on set among the many many background actors having fun with the alternative inmates at Arkham. “She sat with all of us and he or she was like, ‘I would like everybody right here to give you a personality. When Sofia walks by, I wish to see a person. I would like us all to make this world collectively,’” Milioti says with a shudder. “I’m getting chills eager about it. Once I’m strolling down these aisles of the mess corridor, I’m experiencing utterly totally different, terrifying individuals.” 

That kind of immersion made the second when Sofia lastly snaps and violently murders one different inmate, Magpie (Marié Botha), that slightly extra vivid and visceral. “They’re all screaming and banging on tables,” Milioti says. “It made it really feel like play. Everybody was in it collectively, so it could allow you to go to greater and larger locations with it.”

Milioti is loath, nonetheless, to dive into aspect about her showing course of, identical to the backstory of the scars that riddle Sofia’s physique. “I had my very own concepts of what all of them had been” is what she’ll reveal. “All this makes me look — I imply, I’m saying it, however it’s a little eye roll-y,” she says with a good-natured shrug. “I don’t prefer to examine, like, how actors determine issues out. I identical to to be within the magic of the factor. However I’m in all probability being overly treasured — which can be a really actorly factor to do.”

Actually, Milioti isn’t complaining. Removed from it. “I positively really feel spoiled,” she says of attending to play Sofia. “I felt like I used to be in my yard, a little bit child once more.” She breaks proper right into a radiant smile. “Sure, there’s darkness, however I had the time of my life.”